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“I wonder. If I had you wear that mask today, Anne, would you find the courage to tell me what is troubling you?" Anne would very much have liked to confide in her father, but where in the world would she begin? He leaned over and whispered in her ear. "I will tell you a secret, my dear. All of my children are shy. They have simply learned the art of wearing masks.”
Lena Coakley“I wonder. If I had you wear that mask today, Anne, would you find the courage to tell me what is troubling you?" Anne would very much have liked to confide in her father, but where in the world would she begin? He leaned over and whispered in her ear. "I will tell you a secret, my dear. All of my children are shy. They have simply learned the art of wearing masks.”
Lena Coakley“You can't see the world from somebody else's point of view and not be changed.”
Lena Coakley, Witchlanders“If you could choose any mask to wear right now, what would it be?” Anne lay down her yarn. “I suppose if, as you say, I would grow into this mask, then I would make it of my own face . . . but a braver, better version of myself.” “And what would this braver Anne do?” The answer came quickly, as if it had been there all along. I’d save them, she thought.”
Lena Coakley, Worlds of Ink and Shadow“Wait," Charlotte said. "I'd like to say something, if I may, Papa." He nodded, and Charlotte stood. Her siblings were still looking very grave. She hoped they were in the proper frame of mind to hear what she had to say, especially Branwell. "I have been thinking a great deal about ... My stories." She nodded significantly to them, willing them to understand that she was not talking about writing so much as about crossing over. "Papa was very wise when he called my writing a childish habit, and I think he understands that, for me, its a dangerous one as well." The small square of paper that had caused such consternation lay in front of her on the table. Now she took it up and held it out, looking at each if her siblings in turn. "Emily. Anne. Branwell." She ripped the paper in half. Emily gasped. " I am renouncing my invented worlds and all who live there. If any of you are in the grip if a similar childish habit"- she raised an eyebrow at her brother - "I challenge you to do the same.”
Lena Coakley, Worlds of Ink and Shadow“Kuan Yin looks very traditional. Her hands are folded together. The thick cloth of her costume is folded perfectly," describes Lena. "Just as in the previous session, I’m reminded of the significance of the folds. I’m having an interesting vision that I haven’t thought about in many years. I see a beautiful tree where I used to go when I was a teenager. It stands majestic, atop the rolling hills behind the house where I grew up.Kuan Yin is at the tree looking very luminous. I see the bark of the tree, which looks very real, very three-dimensional. For some reason, Kuan Yin is touching the trunk of the tree.She suddenly seems very small next to me and she wants me to touch the tree. I’m not sure why. There is a tiny bird, with pretty feathers in its nest. It is about the size of a wren. I see the texture of the tree. I think it might be a birch. I’m not sure. ’Why should I touch the tree,’ I ask. She’s telling me that I created the tree, that it is another realm I was able to visit because life was too painful and lonely at home.”“You created the tree. You create your whole world with thoughts,” assures Kuan Yin.“Every time I try to touch the tree, Kuan Yin wants to help me touch it. There’s something different about this conversation. Usually we work on something about the earth. Because we’re revisiting my childhood, I get the impression Kuan Yin’s trying to show me something that maybe I created in my childhood.”“Well, do we all create our reality?” Kuan Yin asks of Lena.“I think she’s going to answer her own question,” comments Lena, from her trance.“Yes, you can create your reality. Once you free yourself from the negative effects of karma. I know it is sometimes difficult to differentiate between free will and karma. Focus upon your free will and your ability to create reality. I’m optimistic and hopeful you can do this.”
Hope Bradford, Oracle of Compassion: The Living Word of Kuan Yin“I couldn't look at her. I'd been jealous and hurt, and I had dragged Liv into the middle of my own broken mess of a life. All because I thought Lena didn't love me anymore. But I was stupid, and I was wrong. Lena loved me so much, she was willing to risk everything to save me. I had given up on Lena, after she had refused to give up on me. I owed her my life. It was as simple as that.”
Kami Garcia, Beautiful Darkness“[Lena Lees describes from trance her experience of Kuan Yin]:“I see Kuan Yin. She is like Venus, statuesque and standing in front of a beautiful pink half-shell. Quickly, she walks in front of me, pointing the way. We are entering the mouth of a cave. It’s so interesting. I see stairs carved out of rock in the cave. We walk up the stairs to a door. I know somehow this is just another entrance, a doorway to another time, place. Perhaps at another historical time monks lived there. Now, I’m seeing a huge image, a beautiful statue of Kuan Yin right at the top of the mountain. There are stairs leading up to her and it is as if I’m right on location, standing alongside a group of worshipers. I feel the potency of her energy. In these places, perhaps China or Vietnam, there is a palpable sense of being immersed in and supported by her presence. There is a need by the people to know more, to pick up and accumulate wisdom. I’m suddenly feeling a need to be in that kind of energy. Suddenly it is Kuan Yin who is speaking: “Some believe I am in servitude to Buddha. However, Buddha doesn’t see it like that. We’re more like brother and sister. I’m showing, Lena, my abode, a place on earth where humans can visit me and be in my potency. Lena is looking at my statue and then at my form. There’s a difference. I come to people in many forms, forms constructed from people’s own perceptions of how I should come to them. And it is individual spiritual needs that create these unique perceptions. In the end, it does not matter what form I take.”“Kuan Yin wants me to know that I can have the most divine life imaginable,” whispers Lena, still very deep in trance. “She’ll be here until the last soul passes off the earth. She remains in deity form to assist people in transcending their materialistic nature, to help them attain their highest spiritual level.”
Hope Bradford, Oracle of Compassion: The Living Word of Kuan Yin“Since Rose, he’d never wanted to be the right guy for anyone. He hadn’t wanted to carry that extra burden. He liked things nice and simple. But things sure as hell weren’t simple with Lena. They’d never been simple with Lena. Things with Lena had been one hundred shades of unadulterated complication from day one. That fact alone should have sent him running in the opposite direction with all the speed of an Olympic gold medalist. But no, here he stood. Holding on to her as if his life depended on it. Heaven help him, his life probably did depend on it.”
Loren Mathis, Swift Strike“I've never seen Star Wars or The Godfather, so that would be a good excuse for us to spend a bunch of time together.”
Lena Dunham“That is because no one could ever hate me as much as I hate myself, okay? So any mean thing someone's gonna think of to say about me, I've already said to me, about me, probably within the last half hour.”
Lena Dunham