Lena Headey Quotes

“I have an internal protectiveness where it's like, if it comes to just me, as frightened as I am of losing someone I love or things going sour or simply being alone, there is a dark place in my brain where I'm like, It could happen and I'm okay, I'm prepared.”

“I have an internal protectiveness where it's like, if it comes to just me, as frightened as I am of losing someone I love or things going sour or simply being alone, there is a dark place in my brain where I'm like, It could happen and I'm okay, I'm prepared.”

“I took up boxing as a fitness thing. I got obsessed, and I would go every day when I wasn't working. It's just an insane sport when you get into it.”

“I'm sad I'm not in 'The Purge 2.'”

“Maybe you just don't see your own beauty.”

“Nothing I do is by design. It's always the result of a happy accident. I didn't have a career plan. It has just become the way it is. It's all good fun.”

“For me, horror movies are a real escape.”

“There's nothing more exciting for an actor than a chance to lose, to be someone who has lost - especially if it's someone who starts off with a veneer of control. To be broken is wonderful.”

“Kuan Yin looks very traditional. Her hands are folded together. The thick cloth of her costume is folded perfectly," describes Lena. "Just as in the previous session, I’m reminded of the significance of the folds. I’m having an interesting vision that I haven’t thought about in many years. I see a beautiful tree where I used to go when I was a teenager. It stands majestic, atop the rolling hills behind the house where I grew up.Kuan Yin is at the tree looking very luminous. I see the bark of the tree, which looks very real, very three-dimensional. For some reason, Kuan Yin is touching the trunk of the tree.She suddenly seems very small next to me and she wants me to touch the tree. I’m not sure why. There is a tiny bird, with pretty feathers in its nest. It is about the size of a wren. I see the texture of the tree. I think it might be a birch. I’m not sure. ’Why should I touch the tree,’ I ask. She’s telling me that I created the tree, that it is another realm I was able to visit because life was too painful and lonely at home.”“You created the tree. You create your whole world with thoughts,” assures Kuan Yin.“Every time I try to touch the tree, Kuan Yin wants to help me touch it. There’s something different about this conversation. Usually we work on something about the earth. Because we’re revisiting my childhood, I get the impression Kuan Yin’s trying to show me something that maybe I created in my childhood.”“Well, do we all create our reality?” Kuan Yin asks of Lena.“I think she’s going to answer her own question,” comments Lena, from her trance.“Yes, you can create your reality. Once you free yourself from the negative effects of karma. I know it is sometimes difficult to differentiate between free will and karma. Focus upon your free will and your ability to create reality. I’m optimistic and hopeful you can do this.”

“I couldn't look at her. I'd been jealous and hurt, and I had dragged Liv into the middle of my own broken mess of a life. All because I thought Lena didn't love me anymore. But I was stupid, and I was wrong. Lena loved me so much, she was willing to risk everything to save me. I had given up on Lena, after she had refused to give up on me. I owed her my life. It was as simple as that.”

“[Lena Lees describes from trance her experience of Kuan Yin]:“I see Kuan Yin. She is like Venus, statuesque and standing in front of a beautiful pink half-shell. Quickly, she walks in front of me, pointing the way. We are entering the mouth of a cave. It’s so interesting. I see stairs carved out of rock in the cave. We walk up the stairs to a door. I know somehow this is just another entrance, a doorway to another time, place. Perhaps at another historical time monks lived there. Now, I’m seeing a huge image, a beautiful statue of Kuan Yin right at the top of the mountain. There are stairs leading up to her and it is as if I’m right on location, standing alongside a group of worshipers. I feel the potency of her energy. In these places, perhaps China or Vietnam, there is a palpable sense of being immersed in and supported by her presence. There is a need by the people to know more, to pick up and accumulate wisdom. I’m suddenly feeling a need to be in that kind of energy. Suddenly it is Kuan Yin who is speaking: “Some believe I am in servitude to Buddha. However, Buddha doesn’t see it like that. We’re more like brother and sister. I’m showing, Lena, my abode, a place on earth where humans can visit me and be in my potency. Lena is looking at my statue and then at my form. There’s a difference. I come to people in many forms, forms constructed from people’s own perceptions of how I should come to them. And it is individual spiritual needs that create these unique perceptions. In the end, it does not matter what form I take.”“Kuan Yin wants me to know that I can have the most divine life imaginable,” whispers Lena, still very deep in trance. “She’ll be here until the last soul passes off the earth. She remains in deity form to assist people in transcending their materialistic nature, to help them attain their highest spiritual level.”