Leonardo Boff and Clodovis Boff Quotes

“. . . anyone who wants to elaborate relevant liberation theology must be prepared to go into the 'examination hall' of the poor. Only after sitting on the benches of he humble will he or she be entitled to enter a school of 'higher learning.”

“...the oppressor is truly repressed. Their poverty is existential, often surrounded by an abundance of material goods. (Leonardo Boff, p. 179)”

“Theology alone doesn't convine anyone.Only those words which are pregnant with action, theology that is born of suffering, of struggles, of the poor--this theology is a testimony. This theology leads to conversion. (Leonardo Boff, p. 169)”

“...the church lives in a regime of ecclesial authoritarian security and the military elites live in a regime of national authoritarian security. These structures produce the same kind of authoritarian people, with a super defensive stance in their strategies and argumentation. This is why they understand each other! (Leonardo Boff, p. 178)”

“The core of liberation theology is profoundly "theologal" - that is, rooted in the very nature of God. You see, there's an immediate relationship between God, oppression, liberation: God is in the poor who cry out. And God is the one who listens to the cry and liberates, so that the poor no longer need to cry out. ( Leonardo Boff, p. 166)”

“One of the best examples of a polymath is Leonardo da Vinci. Born in Italy in 1452, Leonardo was a sculptor, painter, architect, mathematician, musician, engineer, inventor, anatomist, botanist, geologist, cartographer and writer. Although he received an informal education that included geometry, Latin and mathematics, he was essentially an autodidact, or a self-taught individual.”

“Obstacles cannot crush me. Every obstacle yields to stern resolve. He who is fixed to a star does not change his mind.”

“One of Leonardo da Vinci's most famous creations is his painting of The Last Supper. It is said that while Leonardo da Vinci was working on the painting he got into an argument with a fellow painter. Leonardo da Vinci was so mad at this colleague that in anger and out of spite he painted that man's face as the face of Judas in his painting of the upper room Supper.But then, having completed that, Leonardo da Vinci turned to paint the face of Christ and he could not do it. It wouldn't come. He couldn't visualize it. He couldn't paint the face of Christ.He put down his paintbrush and went to find the man from whom he was estranged. He forgave him; they reconciled with one another; they both apologized. They both forgave. That very evening Leonardo da Vinci had a dream and in that dream he saw the face of Christ. He rose quickly from his bed and finished the painting and it became one of his greatest masterpieces.”

“I am fully conscious that, not being a literary man , certain presumptuous persons will think that they may reasonably blame me; alleging that I am not a man of letters. Foolish folks! do they not know that I might retort as Marius did to the Roman Patricians by saying: That they, who deck themselves out in the labours of others will not allow me my own. They will say that I, having no literary skill, cannot properly express that which I desire to treat of, but they do not know that my subjects are to be dealt with by experience rather than by words; and experience has been the mistress of those who wrote well. And so, as mistress, I will cite her in all cases.”

“If the painter wishes to see beauties that charm him, it lies in his power to create them, and if he wishes to see monstrosities that are frightful, ridiculous, or truly pitiable, he is lord and God thereof.”