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“God bless us everyoneWe're a broken people living under loaded gunAnd it can't be outfoghtIt can't be outdoneIt can't out matchedIt can't be outrunNo”
Linkin Park“God bless us everyoneWe're a broken people living under loaded gunAnd it can't be outfoghtIt can't be outdoneIt can't out matchedIt can't be outrunNo”
Linkin Park“(It starts with)One thing, I don’t know whyIt doesn’t even matter how hard you tryKeep that in mind, I designed this rhymeTo explain in due timeAll I knowtime is a valuable thingWatch it fly by as the pendulum swingsWatch it count down to the end of the dayThe clock ticks life awayIt’s so unrealDidn’t look out belowWatch the time go right out the windowTrying to hold on but didn’t even knowWasted it all just toWatch you goI kept everything inside and even though I tried, it all fell apartWhat it meant to me will eventually be a memory of a time when I tried so hardAnd got so farBut in the endIt doesn't even matterI had to fallTo lose it allBut in the endIt doesn't even matter”
Linkin Park“It's easier to runReplacing this pain with something numbIt's so much easier to goThan face all this pain here all alone.”
Linkin Park“But I know just what it feels like to have a voice in the back of my head, like a face that I hold inside, face that awakes when I close my eyes, face that watches everytime I lie, face that laughs everytime I fall. (It watches EVERYTHING) ... But the face inside is hearing me, right beneath my skin.”
Linkin Park, Linkin Park - Hybrid Theory“Like memories in cold decay, Transmissions echoing away, Far from the world of you and I Where oceans bleed into the sky..”
Linkin Park“You were standing in the wake of devastation And you were waiting on the edge of the unknown And with the cataclysm raining down Insides crying "Save me now" You were there, impossibly alone”
Linkin Park“Do you feel cold and lost in desperation? You build up hope, but failure’s all you’ve known Remember all the sadness and frustration And let it go. Let it go”
Linkin Park“Contemporary attitudes toward urban parks fall into three levels of sophistication. The first, the most naive assumption, is that parks are just plots of land preserved in their original state. If asked to discuss the issue at all, many laymen have maintained this much, that parks are bits of nature created only in the sense that some decision was made not to build on the land. Many are surprised to learn that parks that an artifact conceived and deliberated as carefully as public buildings, with both physical shape and social usage taken into account. The second, a little more informed, is that parks are aesthetic objects and that their history can be understood in terms of an evolution of artistic styles independent of societal considerations. The third is the view that each of the elements of the urban park represents part of planners' strategy for moral and social reform, so that today, as in the past, the citizen visiting a park is subject to an accumulated set of intended moral lessons.”
Galen Cranz, The Politics of Park Design: A History of Urban Parks in America“Park stood up when she got to their row, and as soon as she sat down, he took her hand and kissed it. It happened so fast, she didn't have time to die of ecstasy or embarrassment.”
Rainbow Rowell, Eleanor & Park