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“I love a good 2,000 year old storytelling fresco!”
Joy Baer“I love a good 2,000 year old storytelling fresco!”
Joy Baer, Storytelling Frescoes“It was a tribute to Raphael that lesser artists wanted to copy his work, but this… this was a travesty. The fresco consisted of Galatea’s apotheosis, wherein she is surrounded by mythical creatures. A beautiful scene, with all the potential in the world, but very poorly executed here. Galatea herself looked vapid and empty. The rest of the painting indicated pure ignorance on the part of the painter. I shook my head in confusion. The giant Polyphemus was depicted with two normal eyes, when clearly he ought to have but one. Triton, for his horn, was using not a shell but an actual trumpet of brass. I nearly laughed aloud at that observation; would not such an instrument be completely destroyed by seawater? Who the devil had painted this monstrosity?”
Kelsey Brickl, Paint“I spent the two and one-half months between my meeting with the Art Commission and the beginning of my actual mural work in soaking up impressions of the productive activities of the city. I studied industrial scenes by night as well as by day, making literally thousands of sketches of towering blast furnaces, serpentine conveyor belts, impressive scientific laboratories, busy assembling rooms; also of precision instruments, some of them massive yet delicate; and of the men who worked them all. I walked for miles through the immense workshops of the Ford, Chrysler, Edison, Michigan Alkali, and Parke-Davis plants. I was afire with enthusiasm. My childhood passion for mechanical toys had been transmuted to a delight in machinery for its own sake and for its meaning to man -- his self-fulfillment and liberation from drudgery and poverty. That is why now I placed the collective hero, man-and-machine, higher than the old traditional heroes of art and legend. I felt that in the society of the future as already, to some extent, that of the present, man-and-machine would be as important as air, water, and the light of the sun.This was the "philosophy," the state of mind in which I undertook my Detroit frescoes.”
Diego Rivera, My Art, My Life“Merik swiveled his wrists slowly. At night, the temple was too dark to see the blood dripping from his arms, pooling on the granite flagstones. He felt it falling, though. Just as he felt the new, burned flesh on his hands stretching beneath torn gloves.Yet even as pain shivered through his body, he couldn’t help but think: Only a fool ignores Noden’s gifts. For if Merik looked at this case of mistaken identity from the just the right angle, it could in fact all be seen as boon.The assassin in the night. The fire on the Jana. The attack of a Waterwitch in Pin’s Keep. Each event had led Merik here, to Noden’s temple. To a fresco of the god’s left hand.To the Fury.Twice now, he’d been mistaken for that monstrous demigod, and twice now, it had worked in Merik’s favor. So why not continue using the fear invoked from that name? Was Merik not doing the Fury’s work by bringing justice to the wronged and punishment to the wicked? It was clear that Nubrevnans needed Merik’s help, and his sister Vivia…Well, she was stil out there. Alive. Wretched.So was it not Merik’s moral duty to keep her off the throne? And he could do that if he could just prove she had indeed tried to kill him—that it was she who’d purchased that prisoner from Vizer Linday, and she who’d sent the prisoner to kill Merik.Yes. This was right. This was Noden’s will. It throbbed in Merik’s wounds. It shivered across his scalp and down his raw back.Take the god’s gift. Become the Fury.Merik rose, stiff but strong, from the temple floor, and with a new purpose in his movements, he tugged his hood, his sleeves, his gloves into place. Then he turned away from the Fury’s gruesome fresco and set out to bring justice to the wronged.Punishment to the wicked.”
Susan Dennard, Windwitch“With the observable fact that scientific knowledge makes our lives better when applied with concern for human welfare and environmental protection, there is no question that science and technology can produce abundance so that no one has to go without.”
Jacque Fresco“If our system continues without modification involving environmental and social concern, we will face an economic and social breakdown of our outdated monetary and political system.”
Jacque Fresco“It takes a different value system if you wish to change the world.”
Jacque Fresco“Food is as important as energy, as security, as the environment. Everything is linked together.”
Louise Fresco“Food, in the end, in our own tradition, is something holy. It's not about nutrients and calories. It's about sharing. It's about honesty. It's about identity.”
Louise Fresco“Man, in the collective sense, is the hero of science. Man, in the collective sense, is the hero of Earth.”
Jacque Fresco