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“Passing from legality to subversion, the need of finding a minimum stimulus with a maximum effect appears—an effect that through its impact justifies the risk taken and pays for it. During certain historical periods, at the level of the object, this meant dealing with and creating mysteries. At the level of situations, and in this case, it means the change of social structure.”
Luis Camnitzer“Passing from legality to subversion, the need of finding a minimum stimulus with a maximum effect appears—an effect that through its impact justifies the risk taken and pays for it. During certain historical periods, at the level of the object, this meant dealing with and creating mysteries. At the level of situations, and in this case, it means the change of social structure.”
Luis Camnitzer“Art then becomes a safety valve for the expression of individual and collective neuroses originating in the inability of coping with the environment. Its products serve as a retarded correction of perception braked by the system of conventions and stereotypes that stabilize society. They create a slightly updated system which, eventually assimilated by history, will require a new system and so on without end. Art objects serve as points of identification alienated from the consumer, requiring more sympathy than empathy.”
Luis Camnitzer“In my player, I have a Luis Miguel CD as well as a Brian McKnight CD. I'm known for my very romantic ballads as well as the fun, up-tempo pop songs.”
Luis Fonsi“For him, she bends over backwards. It is origami of the heart. (Pour lui, elle se plie en quatre. - C'est l'origami du cœur)”
Charles de Leusse“But let no one imagine that we were mere ascetics. There is no more complex pleasure than thought, and it was to thought that we delivered ourselves over.”
Jorge Luis Borges, The Aleph and Other Stories“Un soir qu'ils étaient couchés l'un près de l'autre, comme elle lui demandait d'inventer un poème qui commencerait par je connais un beau pays, il s'exécuta sur-le-champ. Je connais un beau pays Il est de l'or et d'églantine Tout le monde s'y sourit Ah quelle aventure fine Les tigres y sont poltrons Les agneaux ont fière mine À tous les vieux vagabonds Ariane donne des tartines. Alors, elle lui baisa le la main, et il eut honte de cette admiration.”
Albert Cohen, Belle du Seigneur“We have a very precise image - an image at times shameless - of what we have lost, but we are ignorant of what may follow or replace it.”
Jorge Luis Borges, Seven Conversations with Jorge Luis Borges“I do not know which of us has written this page.”
Jorge Luis Borges, Labyrinths: Selected Stories and Other Writings