Michael Haneke Quotes

“Drama lives on conflict. If you're trying to deal with social issues seriously, there's no way of avoiding violence, which is so present in society.”

“Drama lives on conflict. If you're trying to deal with social issues seriously, there's no way of avoiding violence, which is so present in society.”

“My father and I had a good relationship, it was very relaxed. He had a lot of humour. He looked a little bit like me, although he had no beard. He had the appearance of a very elegant British-looking man.”

“And I don't believe that children are innocent. In fact, no one seriously believes that. Just go to a playground and watch the kids playing in the sandbox! The romantic notion of the sweet child is simply the parents projecting their own wishes.”

“People expect me to be dark and gloomy, then write that I'm a jolly chap, and after all, that is what I am. I think it's a case of an absolute romantic naivety that there should be a parallel between the work and the artist.”

“To me, it's far more efficient to mobilize the imagination. It's far more efficient to hear a creaking step, for example, than to see the face of a monster, which usually looks ridiculous, and where you know that the blood is ketchup.”

“Of course, we avoid death. To know something is inevitable is one thing. To accept, to truly feel it... that's different.”

“Because I'm the author of my screenplays I know what I'm looking for. It's true that I can be stubborn in demanding that I get what I want, but it's also a question of working with patience and love.”

“Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations.”

“I'm lucky enough to be able to make films and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.”

“[on why he considers Marlon Brando and Jean-Louis Trintignant to be his favorite actors] They don't externalize or project everything. They keep a mystery within themselves, and that I think is the sign of a truly great actor, to be able to maintain that.”