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“Nay, Nay! Try thou not.But do thou or do thou not, For there is no "try.”
Ian Doescher“Nay, Nay! Try thou not.But do thou or do thou not, For there is no "try.”
Ian Doescher“CREONTA: Rope! My rope! Hang those two thieves by the neck until they are dead.THE ROPE: Alack, but vile and ill-natured female! Upon wherein did thine affections tarry when I didst but lie here and rot for many a year? Nay, but those fellows tooketh care to remove the wetness that didst plagueth me of late and hath laid me upon the cool ground to revel in a state of dryness. Nay, I wouldst not delay them in their noble course for all thine base and bestial howling.CREONTA: Then, you, dearest donkey, precious beast of burden, tear those two apart and eat their flesh!DONKEY: Nay, but alas for many a season didst you but keep the food of the tummy from me and my mouth when it was that I required it of you. These fine gentlemen of fortune didst but give me carrots of which to partake which I did most verily and forthsoothe with merriment. I havest decided that thou dost suck most verily and no longer will I layth the smackth down in thine name but will rather let such gentlemen as these go free of themselves. TRUFFALDINO: [To the audience.] Well, what do you know? Fakespeare!”
Hillary DePiano, The Love of Three Oranges: A Play for the Theatre That Takes the Commedia Dell'arte of Carlo Gozzi and Updates It for the New Millennium“Nay, 'twill be this hour ere I have done weeping. All the kind of the Launces have this very fault. I have received my proportion, like the prodigious son, and am going with Sir Proteus to the Imperial's court. I think Crab, my dog, be the sourest-natured dog that lives. My mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear. He is a stone, a very pebble stone, and has no more pity in him than a dog. A Jew would have wept to have seen our parting. Why, my grandam, having no eyes, look you, wept herself blind at my parting. Nay, I'll show you the manner of it. This shoe is my father. No, this left shoe is my father. No, no, this left shoe is my mother. Nay, that cannot be so neither. Yes, it is so, it is so -- it hath the worser sole. This shoe with the hole in it is my mother, and this my father. A vengeance on't! There 'tis. Now, sir, this staff is my sister, for, look you, she is as white as a lily and as small as a wand. This hat is Nan, our maid. I am the dog. No, the dog is himself, and I am the dog -- O, the dog is me, and I am myself. Ay, so, so. Now come I to my father: 'Father, your blessing.' Now should not the shoe speak a word for weeping. Now should I kiss my father -- well, he weeps on. Now come I to my mother. O, that she could speak now like a wood woman! Well, I kiss her -- why, there 'tis: here's my mother's breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not a tear nor speaks a word!”
William Shakespeare, The Two Gentlemen of Verona“Sebab Tuhan selalu punya cara untuk kita menemukan takdir kita sendiri -forgotten”
Nay Sharaya“Most men of education are more superstitious than they admit - nay than they think.”
G. C. Lichtenberg“There is only one label worth fighting for, nay, not fighting for, that is “human”.”
Abhijit Naskar, We Are All Black: A Treatise on Racism“Radical optimism is a wide screen view of the moment nay the inconceivable, as you please.”
Sravani Saha Nakhro“Nay, but prithee, with sprinkles 'pon it instead," I said solemnly, "and frosting of white.”
Jim Butcher, Small Favor“Nay, he needs a woman, not a girl. And Laoghaire will be a girl when she’s fifty.”
Diana Gabaldon“You take my heart with you, my loving captor." "Nay, Madelyne. I am your captive in body and soul.”
Julie Garwood, Honor's Splendour