Phoebe Gloeckner Quotes

“I haven’t been disingenuous in what I’ve said describing my perception of “truth” and “reality.” Certainly, I understand what is generally meant to be the “truth,” I understand this notion, but it’s not something I trust in, OK?The only answer that feels true (I said feels, not is) is that yes, the character Minnie is me, but she is not me. She is a projection of some tumult which originates within me, but she is not me. I use elements of myself, including my likeness, for the character, perhaps as Cindy Sherman uses herself in her work, but like Sherman’s photographs, the work itself is not any more about the creator than it is about everyone. I won’t deny that Minnie does things I have done, and that things happen to her that have happened to me, but she, unlike me, having been created, is who she is and will remain so, unchanged now. I make no attempt to create “documentary.” There is a process of dissociation that takes place when I make a story, I make creative decisions in a fugue state that I could hardly describe to you, but the end result is, I hope, a story with some meaning or resonance, something created, with a beginning, a middle and an end, an encapsulation of feeling and impression, but in no way a documentary of anything other than an “emotional truth.”If I told most interviewers that my work is “true” and that it is based on real events that occurred in my life, they would more readily accept this than they do the explanation I try to give. Sadly, what they would believe feels to me like a lie and a simplification of a process that is for me as complex and vague as life itself…”

“I haven’t been disingenuous in what I’ve said describing my perception of “truth” and “reality.” Certainly, I understand what is generally meant to be the “truth,” I understand this notion, but it’s not something I trust in, OK?The only answer that feels true (I said feels, not is) is that yes, the character Minnie is me, but she is not me. She is a projection of some tumult which originates within me, but she is not me. I use elements of myself, including my likeness, for the character, perhaps as Cindy Sherman uses herself in her work, but like Sherman’s photographs, the work itself is not any more about the creator than it is about everyone. I won’t deny that Minnie does things I have done, and that things happen to her that have happened to me, but she, unlike me, having been created, is who she is and will remain so, unchanged now. I make no attempt to create “documentary.” There is a process of dissociation that takes place when I make a story, I make creative decisions in a fugue state that I could hardly describe to you, but the end result is, I hope, a story with some meaning or resonance, something created, with a beginning, a middle and an end, an encapsulation of feeling and impression, but in no way a documentary of anything other than an “emotional truth.”If I told most interviewers that my work is “true” and that it is based on real events that occurred in my life, they would more readily accept this than they do the explanation I try to give. Sadly, what they would believe feels to me like a lie and a simplification of a process that is for me as complex and vague as life itself…”

“What have you done to your hair?” Mom’s broken voice said, pinning me back to this tiny hospitalroom.“Holy shit!” Icka patted her head as if searching. “You think the nurse stole it? She looked shady.”

“I have read that long ago there was a land of glass castles that sank beneath the sea. It was not called Atlantis, but Lyonesse. This happened before history and across the ocean, but when I was little I wondered about that place, how it could be so beautiful and so lost. Sometimes it seemed that the land around my New England home was like that flooded country, with mud where the streets of gold should be and mayflies swarming where there should be lovely fishes, but here and there a shard of crystal to call the heart to beauty. --"Wetlands," in Phoebe.”

“And Phoebe and Sebastian went their separate ways, to the blacksmith shop and the library, after several backward glances that weren't coordinated enough to allow either to know that the other one was looking.”

“One sweetly solemn thought, comes to me o'er and o'er; I am nearer home today, than I ever have been before.”

“Natural beauty products are a must! I use coconut oil-based RMS makeup, and I slather almond oil on my hands to soak while I watch a movie.”

“I have an innate fear of fame. I've never thought being famous looked like such a good place to be. I love being incognito.”

“All the great blessings of my life are present in my thoughts today.”

“Only yield when you must never "give up the ship " but fight on to the last "with a stiff upper lip!"”

“All the great blessings of my life are present in my thoughts today.”