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“All I wanted was to connect my moods with those of Paris. Beauty paints and when it painted most, I shot.”
Ernst Haas“All I wanted was to connect my moods with those of Paris. Beauty paints and when it painted most, I shot.”
Ernst Haas“Material Girls was so different for me, I'd never done a teen movie.”
Lukas Haas“All I wanted was to connect my moods with those of Paris. Beauty pains and when it pained most I shot.”
Ernst Haas“The way in which art creates desire, I guess that’s everywhere. Is there anyone who hasn’t come out of a movie or a play or a concert filled with an unnameable hunger? … To stand in front of one of [Louis Sullivan’s] buildings and look up, or in front, say, of the facade of Notre Dame, is both to have a hunger satisfied that you maybe didn’t know you had, and also to have a new hunger awakened in you. I say “unnameable,” but there’s a certain kind of balance achieved in certain works of art that feels like satiety, a place to rest, and there are others that are like a tear in the cosmos, that open up something raw in us, wonder or terror or longing. I suppose that’s why people who write about aesthetics want to distinguish between the beautiful and sublime… Beauty sends out ripples, like a pebble tossed in a pond, and the ripples as they spread seem to evoke among other things a stirring of curiosity. The aesthetic effect of a Vermeer painting is a bit like that. Some paradox of stillness and motion. Desire appeased and awakened.”
Robert Haas“There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.”
Ernst Haas“A word is elegy to what it signifies.”
Robert Haas“Parker Haas, crying Omaha, and his sleepless Rose.”
Charlie Huston, Sleepless“Moreover, in conversations with women, men do most of the talking (Haas, 1979), and despite hackneyed stereotypes about women being more talkative than men, we're apparently used to this pattern. When people listen to record-ings of conversations, they think it's more disrespectful and assertive for a woman to interrupt a m~ than vice versa (Lafrance, 1992).”
Rowland S. Miller, Intimate Relationships“I win.”
Abigail Haas, Dangerous Girls“After so many years drifting, not connected to anything, I'm finally tethered. Safe and loved, in the middle.We start senior year like kings, like nothing can ever tear us apart.We're wrong.”
Abigail Haas, Dangerous Girls