Glenn Aparicio Parry Quotes

“The reality is that every time we manipulate nature's rhythms, we create unintended consequences that then require us to make still further changes."~ Glenn Aparicio Parry”

“The reality is that every time we manipulate nature's rhythms, we create unintended consequences that then require us to make still further changes."~ Glenn Aparicio Parry”

“It was a well-known fact that keeping track of time was not Parry Pretty's forte...If time were Parry's pet, it would have died tied to a tree somewhere out back long ago.”

“Friendships that have stood the test of time and change are surely best.”

“The Greatest” is a bite-your-tongue-book. Ultimately a tragic tale it is also immensely uplifting and easily the best footballer biography I have ever read.”

“In order to create, equilibrium must be broken.”

“Stories are one of the most powerful ways in which we communicate ideas among ourselves. They are the stuff that brings us together, the things we celebrate, the things we share with one another.”

“A basic theme for the anarch is how man, left to his own devices, can defy superior forces – whether state, society, or the elements – by making use of their rules without submitting to them.‘It is strange,’ Sir William Parry wrote when describing the igloos on Winter Island, ‘it is strange to think that all these measure are taken against the cold – and in houses of ice.”

“I know women are taught by other women that they must never admit the full truth to a man. But the highest form of affection is based on full sincerity on both sides. Not being men, these women don't know that in looking back on those he has had tender relations with, a man's heart returns closest to her who was the soul of truth in her conduct. The better class of man, even if caught by airy affectations of dodging and parrying, is not retained by them. A Nemesis attends the woman who plays the game of elusiveness too often, in the utter contempt for her that, sooner or later, her old admirers feel; under which they allow her to go unlamented to her grave.”

“The Northwestern Carpathians, in which I was raised, were a hard place, as unforgiving as the people who lived there, but the Alpine landscape into which Zlee and I were sent that early winter seemed a glimpse of what the surface of the earth looked and felt and acted like when there were no maps or borders, no rifles or artillery, no men or wars to claim possession of land, and snow and rock alone parried in a match of millennial slowness so that time meant nothing, and death meant nothing, for what life there was gave in to the forces of nature surrounding and accepted its fate to play what role was handed down in the sidereal march of seasons capable of crushing in an instant what armies might--millennia later--be foolish enough to assemble on it heights.And yet there we were, ordered to march ourselves, for God, not nature, was with us now, and God would deliver us, in this world and next, when the time came for that.”

“Ha! Don’t you know that writers are control freaks? We make our characters dance to our own weird tunes. That’s half the fun.”She angled his head ever so slowly to the right. “What’s the other half?” Just as the position became uncomfortable, she reversed the motion.“Rewriting,” he said. “You know how you think of a brilliant response to an insult six hours later when it’s utterly useless? A writer has a time machine. I can go back to the moment the insult was hurled and parry it with my slow but rapier-sharp wit.”“Relax. I’ve got you,” she said, rotating his head gently to the right. “I guess us nonwriters think you just sit down at your computer and the book comes out the way we read it.”“We foster that myth. It makes us seem more like creative geniuses and less like mere craftsmen.”