J.L. Clayton Quotes

“Just what I predicted,” he smiled. “Run, little sheep. Run. For soon, the big bad wolf will have you right where you belong,” Crispin whispered as he manifested out of the school.~Crispin~”

“This story shall the good man teach his son;And Crispin Crispian shall ne'er go by,From this day to the ending of the world,But we in it shall be remembered-We few, we happy few, we band of brothers;For he to-day that sheds his blood with meShall be my brother; be he ne'er so vile,This day shall gentle his condition;And gentlemen in England now-a-bedShall think themselves accurs'd they were not here,And hold their manhoods cheap whiles any speaksThat fought with us upon Saint Crispin's day”

“The artistic temperament is too often only an alibi for lack of responsibility....”

“Caring about a person is like praying to a doughnut in the darkness.”

“None but the most blindly credulous will imaging the characters and events in this story to be anything but fictitious. It is true that the ancient and noble city of Oxford is, of all the towns of England, the likeliest progenitor of unlikely events and persons. But there are limits.”

“I think that the behavior of M. Alexis Tsípras is a chance for the European Union to question itself about what is wrong about the Europe of Euro, and to measure the human sufferings caused by a policy that is first and foremost monetarily driven and is wrong. In a just and democratic society, the citizen and his rights are center stage, not the economy.”

“From this day to the ending of the world,But we in it shall be remembered-We few, we happy few, we band of brothers;For he to-day that sheds his blood with meShall be my brother; be he ne’er so vile,This day shall gentle his condition;And gentlemen in England now-a-bedShall think themselves accurs’d they were not here,And hold their manhoods cheap whiles any speaksThat fought with us upon Saint Crispin’s day.”

“Oh, that's just Thud! That's easy!" yapped a voice.Both men turned to look at Horsefry, who had been made perky by sheer relief."I used to play it when I was a kid," he burbled. It's boring. The dwarfs always win!"Gilt and Vetinari shared a look. It said: While I loathe you and every aspect of your personal philosophy to a depth unplummable by any line, I'll credit you at least with not being Crispin Horsefry.”

“Iʹve seen you too. Ozera. Crispin, right?ʺʺChristian,ʺ corrected Lissa.ʺRight.ʺ....ʺSo what brings you and Christopher here?ʺ asked Blake. He finished a glass of something amber colored and set it down beside the new drink.ʺChristian,ʺ said Christian.....Blake gave her puppy-dog eyes. ʺBut you just got here! I was hoping we could get to know each other.ʺ It went without saying what he meant by that. ʺOh. And Kreskin too.”

“Critical pessimists, such as media critics Mark Crispin Miller, Noam Chomsky, and Robert McChesney, focus primarily on the obstacles to achieving a more democratic society. In the process, they often exaggerate the power of big media in order to frighten readers into taking action. I don't disagree with their concern about media concentration, but the way they frame the debate is self-defeating insofar as it disempowers consumers even as it seeks to mobilize them. Far too much media reform rhetoric rests on melodramatic discourse about victimization and vulnerability, seduction and manipulation, "propaganda machines" and "weapons of mass deception". Again and again, this version of the media reform movement has ignored the complexity of the public's relationship to popular culture and sided with those opposed to a more diverse and participatory culture. The politics of critical utopianism is founded on a notion of empowerment; the politics of critical pessimism on a politics of victimization. One focuses on what we are doing with media, and the other on what media is doing to us. As with previous revolutions, the media reform movement is gaining momentum at a time when people are starting to feel more empowered, not when they are at their weakest.”