“Automobile in America,Chromium steel in America,Wire-spoke wheel in America,Very big deal in America!Immigrant goes to America,Many hellos in America,Nobody knows in America,Puerto Rico's in America!I like the shores of America!Comfort is yours in America!Knobs on the doors in America!Wall-to-wall floors in America!”

“I chose and my world was shaken, so what? The choice may have been mistaken, the choosing was not.”

“Outside of the dreary rubbish that is churned out by god knows how many hacks of varying degrees of talent, the novel is, it seems to me, a very special and rarefied kind of literary form, and was, for a brief moment only, wide-ranging in its sociocultural influence. For the most part, it has always been an acquired taste and it asks a good deal from its audience. Our great contemporary problem is in separating that which is really serious from that which is either frivolously and fashionably "radical" and that which is a kind of literary analogy to the Letterman show. It's not that there is pop culture around, it's that so few people can see the difference between it and high culture, if you will. Morton Feldman is not Stephen Sondheim. The latter is a wonderful what-he-is, but he is not what-he-is-not. To pretend that he is is to insult Feldman and embarrass Sondheim, to enact a process of homogenization that is something like pretending that David Mamet, say, breathes the same air as Samuel Beckett. People used to understand that there is, at any given time, a handful of superb writers or painters or whatever--and then there are all the rest. Nothing wrong with that. But it now makes people very uncomfortable, very edgy, as if the very idea of a Matisse or a Charles Ives or a Thelonious Monk is an affront to the notion of "ain't everything just great!" We have the spectacle of perfectly nice, respectable, harmless writers, etc., being accorded the status of important artists...Essentially the serious novelist should do what s/he can do and simply forgo the idea of a substantial audience.”

“Art, in itself, is an attempt to bring order out of chaos.”

“Musicals are, by nature, theatrical, meaning poetic, meaning having to move the audience's imagination and create a suspension of disbelief, by which I mean there's no fourth wall.”

“I'm very opinionated about movie musicals when they're adapted from live shows. You'll sit still for a three-minute song in a theater. But in movies, a glance from someone's eyes will tell you the whole story in a few seconds.”

“One of the hardest things about writing lyrics is to make the lyrics sit on the music in such a way that you're not aware there was a writer there.”

“I'm interested in the theater because I'm interested in communication with audiences. Otherwise I would be in concert music.”

“Over a period of time it's been driven home to me that I'm not going to be the most popular writer in the world so I'm always happy when anything in any way is accepted.”

“Musical comedies aren't written they are re-written.”

“The dumbing down of the country reflects itself on Broadway. The shows get dumber, and the public gets used to them. ”