“Begin with the soft smelted upturned heart-shaped mouth made for smiling a smile kept for kindness, tenderness, incapable of malice. Am I going too fast for you?The almond eyes see out through their sleepy epicanthic fold. Trusting and calm, if a flicker from slowness, a further flicker from stupidity.Settled in slow-motion beauty, heart-breaking beauty.”

“He was making music - Howells, Finzi, Holst - so you could see the sounds in the serried air.Serried. Then just as suddenly empty when his sound-proof right hand closed off the notes.”

“Begin with the soft smelted upturned heart-shaped mouth made for smiling a smile kept for kindness, tenderness, incapable of malice. Am I going too fast for you?The almond eyes see out through their sleepy epicanthic fold. Trusting and calm, if a flicker from slowness, a further flicker from stupidity.Settled in slow-motion beauty, heart-breaking beauty.”

“No one is exempt and everyone's pain has a different smell. At night, when all the colours die,they hide in pairsand read about themselves—in colour, with their eyelids shut.”

“The task of the artist at any time is uncompromisingly simple — to discover what has not yet been done, and to do it.”

“In the morning, when she walked to the consulate, carefully watching her sandals on the pavement, she glanced up and saw a Negro wearing a stack of panama hats. Maybe twelve. She never forgot the bandoeon of brims, the perfect stutter of hat.”

“In his autobiography Stravinsky relates that the first music he remembers was made by a peasant, working his hand in his armpit to produce a rhytmic farting.”

“...much of poetry in the making is the fiddle with a few items. You lay a word against another and wait. You try another word. And another. Yet another. You wait. You begin again. Listening. Looking. For the elusive inevitable thing which has to arrive before it is recognised. And, like Odysseus, may not be recognised at first.”