“But he doesn't love her. I invented that. It is a plot if you imagine people in love--the lazy looping criss crosses of love, blows, stares, tears. No. It doesn't happen. No love. People meet, touch, stare into one another's faces, shake their heads clear, move on, forget. It doesn't happen.”

“Only where there is life can there be home.”

“Keeing busy" is the remedy for all the ills in America. It's also the means by which the creative impulse is destroyed.”

“Fiction that adds up, that suggests a "logical consistency," or an explanation of some kind, is surely second-rate fiction; for the truth of life is its mystery.”

“The ideal art, the noblest of art: working with the complexities of life, refusing to simplify, to "overcome" doubt.”

“The relationship between parents and children, but especially between mothers and daughters, is tremendously powerful, scarcely to be comprehended in any rational way.”

“To write a novel is to embark on a quest that is very romantic. People have visions, and the next step is to execute them. That's a very romantic project. Like Edvard Munch's strange dreamlike canvases where people are stylized, like 'The Scream.' Munch must have had that vision in a dream, he never saw it.”

“Primarily, 'Black Girl/White Girl' is the story of two very different, yet somehow 'fated' girls; for Genna, her 'friendship' with Minette is the most haunting of her life, though it is one-sided and ends in tragedy.”

“Obviously the imagination is fueled by emotions beyond the control of the conscious mind.”

“I was brought up to be sympathetic toward others.”

“I think it's very important for writers and artists generally to be witnesses to the world, and to be transparent. To let other people speak... to travel... to experience the world. And memorialize it.”