“But one kiss levitates above all the others. Theintersection of function and desire. The I do kiss.The I’ll love you through a brick wall kiss.Even when I’m dead, I’ll swim through the Earth,like a mermaid of the soil, just to be next to your bones.”

“But one kiss levitates above all the others. Theintersection of function and desire. The I do kiss.The I’ll love you through a brick wall kiss.Even when I’m dead, I’ll swim through the Earth,like a mermaid of the soil, just to be next to your bones.”

“I mean, have you ever imaginedthe ocean is alive, and needs to tell us something important, and the only way it can talkis by making waves crash, and we just lounge there, drenched in cocoa butter, on towels with crappy novels and volleyballs, sipping spritzers, as the ocean uses all its strength to repeatthe same warning over and over?”

“I realise there's something incredibly honest about trees in winter, how they're experts at letting things go.”

“I've been ignored by prettier women than you, but none who carried the heavy pitchers of silenceso far, without spilling a drop.”

“Once I dated a woman I only liked 43%.So I only listened to 43% of what she said.Only told the truth 43% of the time.And only kissed with 43% of my lips.Some say you can't quantify desire, attaching a number to passion isn't right, that the human heart doesn't work like that.But for me it does-I walk down the streetand numbers appear on the foreheadsof the people I look at. In bars, it's worse.With each drink, the numbers go upuntil every woman in the joint has a blurryeighty something above her eyebrows, and the next day I can only remember 17%of what actually happened. That's the problemwith booze-it screws with your math.”

“Mathematicians still don’t understandthe ball our hands made, or howyour electrocuted grandparents made it possiblefor you to light my cigarettes with your eyes.It isn’t as simple as me climbing into the windowto leave six ounces of orange juiceand a doughnut by the bed, or me becomingthe sand you dug your toes in,on the beach, when you wishedto hide them from the sun and the fixed eyesof strangers, and your breath broke in wavesover my earlobe, splashing through my head, spilling outover the opposite lobe, and my first poemsunder your door in the unshaven light of dawn:Your eyes remind me of a brick wallabout to be hammered by a drunkdriver. I’m that driver. All nightI’ve swallowed you in the bar.Once I kissed the scar, stretching its sealedeyelid along your inner arm, driedraining strands of hair, full of pheromones, discoveredall your idiosyncratic passageways, so I’d knowwhere to run when the cops came.Your body is the country I’ll never return to.The man in charge of what crosses my mindwill lose fingernails, for not turning youaway at the border. But at this momentwhen sweat tingles from me, andblame is as meaningless as shooting up a cow with milk,I realise my kisses filled the halls of your bodywith smoke, and the lies camelike a season. Most drunks don’t die in accidentsthey orchestrate, and I swalloweda hand grenade that never stops exploding.”

“We didn’t deny the obvious,but we didn’t entirely accept it either.I mean, we said hello to it each morningin the foyer. We patted its little headas it made a mess in the backyard,but we never nurtured it. Many nights the obvious showed upat our bedroom door, in its pajamas,unable to sleep, in need of a hug,and we just stared at it like an Armenian,or even worse— hid beneath the coversand pretended not to hear its tiny sobs.”

“But one kiss levitates above all the others. Theintersection of function and desire. The I do kiss.The I’ll love you through a brick wall kiss.Even when I’m dead, I’ll swim through the Earth,like a mermaid of the soil, just to be next to your bones.”

“If you heard your lover scream in the next roomand you ran in and saw his pinkie on the floor, in a small puddle of blood.You wouldn't rush to the pinkie and say, 'Darling, are you OK? 'No, you'd wrap your arms around his shoulders and worry about the pinkie later.The same holds true if you heard the scream, ran in and saw his hand or -god forbid- his whole arm.But suppose you hear your lover scream in the next room, and you run in and his head is on the floor next to his body.Which do you rush to and comfort first?”

“There's two kinds of women--those you write poems about and those you don't.”

“Even when I'm dead, I'll swim through the Earth,like a mermaid of the soil, just to be next to your bones.”