But perhaps there is another, more personal reason for my disagreement with Ramin: I cannot imagine myself feeling at home in a place that is indifferent to what has become my true home, a land with no borders and few restrictions, which I have taken to calling “the Republic of Imagination.” I think of it as Nabokov’s “somehow, somewhere” or Alice’s backyard, a world that runs parallel to the real one, whose occupants need no passport or documentation. The only requirements for entry are an open mind, a restless desire to know and an indefinable urge to escape the mundane.

But perhaps there is another, more personal reason for my disagreement with Ramin: I cannot imagine myself feeling at home in a place that is indifferent to what has become my true home, a land with no borders and few restrictions, which I have taken to calling “the Republic of Imagination.” I think of it as Nabokov’s “somehow, somewhere” or Alice’s backyard, a world that runs parallel to the real one, whose occupants need no passport or documentation. The only requirements for entry are an open mind, a restless desire to know and an indefinable urge to escape the mundane.

Azar Nafisi
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Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies. In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. The affirmation lies in the way the author takes control of reality by retelling it in his own way, thus creating a new world. Every great work of art, I would declare pompously, is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life. The perfection and beauty of form rebels against the ugliness and shabiness of the subject matter. This is why we love "Madame Bovary" and cry for Emma, why we greedily read "Lolita" as our heart breaks for its small, vulgar, poetic and defiant orphaned heroine.

Azar Nafisi, Reading Lolita in Tehran
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I see people who talk about America, and then undermine it by not paying attention to its soul, to its poetry. I see polarization, reductionism and superficiality.

Azar Nafisi
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The negative side of the American Dream comes when people pursue success at any cost, which in turn destroys the vision and the dream.

Azar Nafisi
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You need imagination in order to imagine a future that doesn't exist.

Azar Nafisi
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Once we know of atrocities we cannot remain silent, and knowledge inevitably leads to an urge to protect the innocent.

Azar Nafisi
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Thus the regime has deprived Iranian women not just of their present rights, but also of their history and their past.

Azar Nafisi
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She was one of those people who are irrevocably, incurably honest and therefore both inflexible and vulnerable at the same time.

Azar Nafisi
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Most great works of the imagination were meant to make you feel like a stranger in your own home. The best fiction always forced us to question what we took for granted. It questioned traditions and expectations when they seemed to immutable.

Azar Nafisi
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These characters depend to such a high degree on their own sense of integrity that for them, victory has nothing to do with happiness. It has more to do with a settling within oneself, a movement inward that makes them whole. Their reward is not happiness...what James's characters gain is self-respect.

Azar Nafisi, Reading Lolita in Tehran
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Don't go chasing after the grand theme, the idea, I told my students, as if it is separate from the story itself. The idea or ideas behind the story must come to you through the experience of the novel and not as something tacked onto it.

Azar Nafisi, Reading Lolita in Tehran
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