“But we who remain shall grow oldWe shall know the coldOf cheerlessWinter and the rain of Autumn and the stingOf poverty, of love despised and of disgraces,And mirrors showing stained and aging faces, And the long ranges of comfortless yearsAnd the long gamut of human fears...But, for you, it shall forever be spring,And only you shall be forever fearless, And only you have white, straight, tireless limbs,And only you, where the water-lily swimsShall walk along the pathways thro' the willows Of your west. You who went West, and only you on silvery twilight pillows Shall take your restIn the soft sweet gloomsOf twilight rooms...”

“But we who remain shall grow oldWe shall know the coldOf cheerlessWinter and the rain of Autumn and the stingOf poverty, of love despised and of disgraces,And mirrors showing stained and aging faces, And the long ranges of comfortless yearsAnd the long gamut of human fears...But, for you, it shall forever be spring,And only you shall be forever fearless, And only you have white, straight, tireless limbs,And only you, where the water-lily swimsShall walk along the pathways thro' the willows Of your west. You who went West, and only you on silvery twilight pillows Shall take your restIn the soft sweet gloomsOf twilight rooms...”

“New York is large, glamorous, easy-going, kindly and incurious, but above all it is a crucible - because it is large enough to be incurious.”

“But we who remain shall grow oldWe shall know the coldOf cheerlessWinter and the rain of Autumn and the stingOf poverty, of love despised and of disgraces,And mirrors showing stained and aging faces, And the long ranges of comfortless yearsAnd the long gamut of human fears...But, for you, it shall forever be spring,And only you shall be forever fearless, And only you have white, straight, tireless limbs,And only you, where the water-lily swimsShall walk along the pathways thro' the willows Of your west. You who went West, and only you on silvery twilight pillows Shall take your restIn the soft sweet gloomsOf twilight rooms...”

“We are all so afraid, we are all so alone, we all so need from the outside the assurance of our own worthiness to exist. So, for a time, if such a passion come to fruition, the man will get what he wants. He will get the moral support, the encouragement, the relief from the sense of loneliness, the assurance of his own worth. But these things pass away; inevitably they pass away as the shadows pass across sundials. It is sad, but it is so. The pages of the book will become familiar; the beautiful corner of the road will have been turned too many times. Well, this is the saddest story.”

“But to betray her with battalion... That is against decency, against Nature...And for him, Christopher tietjens, to come down to the level of the men you met here!”

“You have to wait together - for a week, for a year, for a lifetime, before the final intimate conversation may be attained ... and exhausted. So that ... That in effect was love.”

“He was presumably a lover. They did things like commanding battalions. And worse!”

“It's the quality of harmony, sir. The quality of being in harmony with you own soul. God having given you your own soul you are then in harmony with Heaven.”

“If you only would!" He added rather diffidently: "If you would not mind remembering that I am a military court of inquiry. It makes it easier for me to report to the general if you say things dully and in the order that they happened.”

“Isn't there any heaven where old beautiful dances, old beautiful intimacies prolong themselves?”

“At the beginning of the war…I had to look in on the War Office, and in a room I found a fellow…What do you think he was doing…what the hell do you think he was doing? He was devising the ceremonial for the disbanding of a Kitchener battalion. You can’t say we were not prepared in one matter at least…. Well, the end of the show was to be: the adjutant would stand the battalion at ease; the band would play Land of Hope and Glory, and then the adjutant would say: There will be no more parades…. Don’t you see how symbolical it was—the band playing Land of Hope and Glory, and then the adjutant saying: There will be no more parades?…For there won’t. There won’t, there damn well won’t. No more Hope, no more Glory, no more parades for you and me any more. Nor for the country…nor for the world, I dare say… None… Gone… Napoo finny! No…more…parades!”