“Death, according to one's belief, means either annihilation or release from the limitations of the senses, but it involves no change of character. You don't suddenly alter just because the body's gone.”

“I think I might have something for you today," he says, reaches beneath the counter, and his hand comes back with a book, clothbound cover the color of antique ivory, title and author stamped in faded gold and art deco letters. Best Ghost Stories by Algernon Blackwood, and she lifts it carefully off the countertop, picks it up the way someone else might lift a diamond necklace or a sick kitten, and opens the book to the frontispiece and title page, black-and-white photo of the author in a dapper suit, sadkind eyes and his bow tie just a little crooked.”

“Death, according to one's belief, means either annihilation or release from the limitations of the senses, but it involves no change of character. You don't suddenly alter just because the body's gone.”

“Great revelations of nature, of course, never fail to impress in one way or another, and I was no stranger to moods of the kind. Mountains overawe and oceans terrify, while the mystery of great forests exercises a spell peculiarly its own. But all these, at one point or another, somewhere link on intimately with human life and human experience. They stir comprehensible, even if alarming, emotions. They tend on the whole to exalt.”

“What one thinks finds expression in words, and what one says, happens.”

“The dusk rapidly deepened; the glades grew dark; the crackling of the fire and the wash of little waves along the rocky lake shore were the only sounds audible. The wind had dropped with the sun, and in all that vast world of branches nothing stirred. Any moment, it seemed, the woodland gods, who are to be worshipped in silence and loneliness, might stretch their mighty and terrific outlines among the trees.”

“Deep silence fell about the little camp, planted there so audaciously in the jaws of the wilderness. The lake gleamed like a sheet of black glass beneath the stars. The cold air pricked. In the draughts of night that poured their silent tide from the depths of the forest, with messages from distant ridges and from lakes just beginning to freeze, there lay already the faint, bleak odors of coming winter.("The Wendigo")”

“Like many another materialist, that is, he lied cleverly on the basis of insufficient knowledge, because the knowledge supplied seemed to his own particular intelligence inadmissible.("The Wendigo")”

“It was so easy to be wise in the explanation of an experience one has not personally witnessed.("The Wendigo")”

“And it was in that moment of distress and confusion that the whip of terror laid its most nicely calculated lash about his heart. It dropped with deadly effect upon the sorest spot of all, completely unnerving him. He had been secretly dreading all the time that it would come - and come it did.Far overhead, muted by great height and distance, strangely thinned and wailing, he heard the crying voice of Defago, the guide.The sound dropped upon him out of that still, wintry sky with an effect of dismay and terror unsurpassed. The rifle fell to his feet. He stood motionless an instant, listening as it were with his whole body, then staggered back against the nearest tree for support, disorganized hopelessly in mind and spirit. To him, in that moment, it seemed the most shattering and dislocating experience he had ever known, so that his heart emptied itself of all feeling whatsoever as by a sudden draught.'Oh! oh! This fiery height! Oh, my feet of fire! My burning feet of fire...' ran in far, beseeching accents of indescribable appeal this voice of anguish down the sky. Once it called - then silence through all the listening wilderness of trees.And Simpson, scarcely knowing what he did, presently found himself running wildly to and fro, searching, calling, tripping over roots and boulders, and flinging himself in a frenzy of undirected pursuit after the Caller. Behind the screen of memory and emotion with which experience veils events, he plunged, distracted and half-deranged, picking up false lights like a ship at sea, terror in his eyes and heart and soul. For the Panic of the Wilderness had called to him in that far voice - the Power of untamed Distance - the Enticement of the Desolation that destroys. He knew in that moment all the pains of someone hopelessly and irretrievably lost, suffering the lust and travail of a soul in the final Loneliness. A vision of Defago, eternally hunted, driven and pursued across the skyey vastness of those ancient forests fled like a flame across the dark ruin of his thoughts...It seemed ages before he could find anything in the chaos of his disorganized sensations to which he could anchor himself steady for a moment, and think...The cry was not repeated; his own hoarse calling brought no response; the inscrutable forces of the Wild had summoned their victim beyond recall - and held him fast.("The Wendigo")”

“[S]he realized quite abruptly that this thing which took him off, which kept him out so many hours day after day, this thing that was against her own little will and instincts—was enormous as the sea. It was no mere prettiness of single Trees, but something massed and mountainous. About her rose the wall of its huge opposition to the sky, its scale gigantic, its power utterly prodigious. What she knew of it hitherto as green and delicate forms waving and rustling in the winds was but, as it were the spray of foam that broke into sight upon the nearer edge of viewless depths far, far away. The trees, indeed, were sentinels set visibly about the limits of a camp that itself remained invisible. The awful hum and murmur of the main body in the distance passed into that still room about her with the firelight and hissing kettle. Out yonder—in the Forest further out—the thing that was ever roaring at the center was dreadfully increasing.”