“Did he ever--try?'Mingus shrugged. 'He was like you.'What's that mean?'Means he tried.'Of course. The ring was not a neutral tool. It judged its wearer: Aaron Doily flew drunkenly, and Dylan flew like a coward, only when it didn't matter, at the Windles' pond. So if had attuned to Robert Woolfolk's chaos.Don't tell me,' said Dylan. 'He flew sideways.'Mingus left it vague. He'd always made it his habit to protect their honor against one another--Dylan, Arthur, Robert. To say nothing.”
Jonathan Lethem“The world was ersatz and actual, forged and faked, by ourselves and unseen others. Daring to attempt to absolutely sort fake from real was a folly that would call down tigers or hiccups to cure us of our recklessness. The effort was doomed, for it too much pointed past the intimate boundaries of our necessary fictions.”
Jonathan Lethem, Chronic City“For those whose ganglia were formed pre-TV, the mimetic deployment of pop-culture icons seems at best an annoying tic and at worst a dangerous vapidity that compromises fiction's seriousness by dating it out of the Platonic Always, where it ought to reside.”
Jonathan Lethem“How often had that hydrant even been opened? Did you jet water through a car window, what, twice at best? Summer burned just a few afternoons long, in the end.As for flying, Dose never even glanced at the sky. Flying was a summer within a summer, a whim. So why think of it at all?”
Jonathan Lethem, The Fortress of Solitude“There is nothing Tourettic about the New York City subways.”
Jonathan Lethem, Motherless Brooklyn“You could grow up in the city where history was made and still miss it all.”
Jonathan Lethem, The Fortress of Solitude“You could harbor a man in your bed or your body, play on his nervous system like Paderewski at the keyboard, and not shift his brain one inch out of the concrete of dogma. (p. 5)”
Jonathan Lethem, Dissident Gardens“It wasn't for children, seventh grade. You could read the stress of even entering the building in the postures of the teachers, the security guards. Nobody could relax in such a racial and hormonal disaster area.”
Jonathan Lethem, The Fortress of Solitude“Fifth grade was fourth grade with something wrong. Nothing changed outright. Instead it teetered. You'd pushed futility at Public School 38 so long by then you expected the building itself would be embarrassed and quit. The ones who couldn't read still couldn't, the teachers were teaching the same thing for the fifth time now and refusing to meet your eyes, some kids had been left back twice and were the size of janitors. The place was a cage for growing, nothing else. School lunch turned out to be the five-year-plan, the going concern. You couldn't be left back from fish sticks and sloppy joes. You'd retain at the least two thousand half-pint containers of vitamin D-enriched chocolate milk.Two black guys from the projects, twins, were actually named Ronald and Donald MacDonald. The twins themselves only shrugged, couldn't be made to agree it was incredible.”
Jonathan Lethem, The Fortress of Solitude“If. If Mingus Rude could be kept in this place, kept somehow in Dylan's pocket, in his stinging, smudgy hands, then summer wouldn't give way to whatever came after. If. If. Fat chance. Summer on Dean Street had lasted one day and that day was over, it was dark out, had been for hours. The Williamsburg Savings Bank tower clock read nine-thirty in red-and-blue neon. Final score, a million to nothing. The million-dollar kid.Your school wasn't on fire, you were.”
Jonathan Lethem, The Fortress of Solitude“Eighth grade's a distant rumor, a tabled issue, and Dylan knows from experience that the summer between might change anything, everything. He and Mingus Rude too and even Arthur Lomb for that matter are released from the paint-by-numbers page of their schooldays, from their preformatted roles as truant or victim, freed to an unspoiled summer, that inviting medium for doodling in self-transformation. ”
Jonathan Lethem, The Fortress of Solitude