“Displaced Person’s SongIf you see a train this evening,Far away, against the sky,Lie down in your woolen blanket,Sleep and let the train go by.Trains have called us, every midnight,From a thousand miles away,Trains that pass through empty cities,Trains that have no place to stay.No one drives the locomotive,No one tends the staring light,Trains have never needed riders,Trains belong to bitter night.Railway stations stand deserted,Rights-of-way lie clear and cold,What we left them, trains inherit,Trains go on, and we grow old.Let them cry like cheated lovers,Let their cries find only wind,Trains are meant for night and ruin,And we are meant for song and sin.”

“Displaced Person’s SongIf you see a train this evening,Far away, against the sky,Lie down in your woolen blanket,Sleep and let the train go by.Trains have called us, every midnight,From a thousand miles away,Trains that pass through empty cities,Trains that have no place to stay.No one drives the locomotive,No one tends the staring light,Trains have never needed riders,Trains belong to bitter night.Railway stations stand deserted,Rights-of-way lie clear and cold,What we left them, trains inherit,Trains go on, and we grow old.Let them cry like cheated lovers,Let their cries find only wind,Trains are meant for night and ruin,And we are meant for song and sin.”

“But as we all know, rock ‘n’ roll will never die, and education too, as Henry Adams always sez, keeps going on forever.”

“The act of metaphor then was a thrust at truth and lie, depending where you were: inside, safe, or outside, lost.”

“Yep, and your Internet was their invention, this magical convenience that creeps now like a smell through the smallest details of our lives, the shopping, the housework, the homework, the taxes, absorbing our energy, eating up our precious time. And there’s no innocence. Anywhere. Never was. It was conceived in sin, the worst possible. As it kept growing, it never stopped carrying in its heart a bitter-cold death wish for the planet, and don’t think anything has changed, kid.”

“There is no literature and art without paranoia. Probably there would be even civilization. Paranoia is the world. It is the attempt to make sense of what has not.”

“These signs are real. They are also symptoms of a process. The process follows the same form, the same structure. To apprehend it you will follow the signs. All talk of cause and effect is secular history, and secular history is a diversionary tactic. Useful to you, gentlemen, but no longer so to us here. If you want the truth — I know I presume — you must look into the technology of these matters. Even into the hearts of certain molecules — it is they after all which dictate temperatures, pressures, rates of flow, costs, profits, the shapes of towers…''You must ask two questions. First, what is the real nature of synthesis? And then: what is the real nature of control?”

“Why should things be easy to understand?”

“Could he have been the fork in the road American never took, the singular point she jumped the wrong way from? Suppose the Slothropite heresy had had the time to consolidate and prosper? Might there have been fewer crimes in the name of Jesus, and more mercy in the name of Judas Iscariot? It seems to Tyrone Slothrop that there might be a route back--maybe that anarchist he met in Zurich was right, maybe for a little while all the fences are down, one road as good as another, the whole space of the Zone cleared...”

“There are places we fear, places we dream, places whose exiles we became and never learned it until, sometimes, too late.”

“Beneath the rubato of the day abided a stern pulse beating on, ineluctable, unforgiving, whereby whatever was evaded or put off now had to be made up for later, and at a higher level of intensity.”

“Behind the hieroglyphic streets there would either be a transcendent meaning, or only the earth.”