“Empathy means realizing no trauma has discrete edges. Trauma bleeds. out of wounds and across boundaries. Sadness becomes seizure. Empathy demands another kind of porousness in response. My Stephanie script is twelve pages long. I think mainly about what it doesn't say.”

“Empathy means realizing no trauma has discrete edges. Trauma bleeds. out of wounds and across boundaries. Sadness becomes seizure. Empathy demands another kind of porousness in response. My Stephanie script is twelve pages long. I think mainly about what it doesn't say.”

“That was a moment where something clarified about shame for me: it’s not just something negative but some kind of arrow, it’s pointing at something, some confusing blend of fear and desire. There was liberation in that, thinking of shame as something to follow, like a path—rather than simply something to be paralyzed by, or try to dissolve, or become second-level meta-shamed by (i.e. “I shouldn’t even be having this feeling of shame…”)”

“I loved the full heat of being drunk, like I was made of melting chocolate and spreading in all directions.”

“It was a look that suggested emotions happening just past your line of sight: a grief so deep you'd never be able to see it, a love so fierce it could swallow itself completely.”

“The pain is what you make of it. You have to find something in it that yields. I understood my guiding imperative as: keep bleeding, but find some love in the blood.”

“Bolivian women sewed their lips shut for days. They threaded needles through their skin to stop their speech, to show what good speaking had done them.”

“Metaphors are tiny saviors leading the way out of sentimentality, small disciples of Pound, urging "Say it new! Say it new!" It's hard for emotion to feel flat if its language is suitably novel, to feel excessive if its rendering is suitably opaque. Metaphors translate emotion into surprising and sublime language, but they also help us deflect and diffuse the glare of revelation.”

“No trauma has discrete edges. Trauma bleeds. Out of wounds and across boundaries.”

“It's easier, somehow, if there's a reason for tragedy - lust or jealousy or hatred or revenge. We can find in these explanations an emotional tenor commensurate with the gravity of the act. There's something we recognize as human, a motive toward which we can direct our rage but can also understand, at some primal level, as an extension of ourselves.”

“Empathy isn't just listening, it's asking the questions whose answers need to be listened to.”

“Empathy isn't just something that happens to us - a meteor shower of synapses firing across the brain - it's also a choice we make: to pay attention, to extend ourselves. It's made of exertion, that dowdier cousin of impulse. Sometimes we care for another because we know we should, or because it's asked for, but this doesn't make our caring hollow. This confession of effort chafes against the notion that empathy should always rise unbidden, that genuine means the same thing as unwilled, that intentionality is the enemy of love. But I believe in intention and I believe in work. I believe in waking up in the middle of the night and packing our bags and leaving our worst selves for our better ones.”