Even gods decay. Like, in 1890 somebody sold off thousands of mummified Ancient Egyptian sacred cats - _for fertilizer_. Get the point? Constancy isn't.

Even gods decay. Like, in 1890 somebody sold off thousands of mummified Ancient Egyptian sacred cats - _for fertilizer_. Get the point? Constancy isn't.

Jonathan Gash
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Every inch of space was used. As the road narrowed, signs receded upwards and changed to the vertical. Businesses simply soared from ground level and hung out vaster, more fascinatingly illuminated shingles than competitors. We were still in a traffic tangle, but now the road curved. Shops crowded the pavements and became homelier. Vegetables, spices, grocery produce in boxes or hanging from shop lintels, meats adangle - as always, my ultimate ghastliness - and here and there among the crowds the alarming spectacle of an armed Sikh, shotgun aslant, casually sitting at a bank entrance. And markets everywhere. To the right, cramped streets sloped down to the harbor. To the left, as we meandered along the tramlines through sudden dense markets of hawkers' barrows, the streets turned abruptly into flights of steps careering upwards into a bluish mist of domestic smoke, clouds of washing on poles, and climbing. Hong Kong had the knack of building where others wouldn't dare.

Jonathan Gash, Jade Woman
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Even gods decay. Like, in 1890 somebody sold off thousands of mummified Ancient Egyptian sacred cats - _for fertilizer_. Get the point? Constancy isn't.

Jonathan Gash, Jade Woman
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The problem: If you've an antique for sale, then, sad to relate, the world isn't your oyster. It's not that easy. Even if somebody gives you the National Gallery, your options are still very, very limited. Okay, you can sell the Old Masters, set up a trust, buy your favorite brewery. But that's strictly it. You're limited by honesty on one hand and law - that hobble of sanity - on the other.

Jonathan Gash, Jade Woman
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I began to enjoy myself: being apoplectic's quite invigorating.

Jonathan Gash, The Rich and the Profane
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Forgery, being the weirdest form of creativity there is, like antiques, costs lives. Why is it that antiques demand sacrificial victims? Dunno, but if they don't get enough, forgery does. You want proof? Here it is: Once a faker's found out, he dies. Truly. It always happens.

Jonathan Gash, Jade Woman
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Woods are grim places. Farmers shoot squirrels, crows, magpies, and hang them up on trees to warn Mother Nature to get it together or else. Much notice she takes, being in league with God. They're a right pair, more carnage than the rest of us put together.

Jonathan Gash, The Rich and the Profane
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The risks in antiques fraud are relative. Other criminals risk the absolute. You've never heard of a fraudster involved in a shoot-out, of the "Come and get me, copper!" sort. Or of some con artist needing helicopter gunships to bring him. No, we subtle-mongers do it with the smile, the promise, the hint. And we have one great ally: greed. And make no mistake. Greed is everywhere, like weather.

Jonathan Gash, The Great California Game
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Fraud is the daughter of greed.

Jonathan Gash, The Great California Game
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