“Every problem of medicine is a problem of language, and this operation was a malapropism.”
William S. Wilson“The woman who undergoes this operation can sense the morphogenetic field at work in her face. She can feel the lines of force as they guide the embryonic cells into the patterns they must form. Why should a woman let her life be determined by tired collagens or by a shortage of zinc which weakens her electromagnetic field, the matrix of life? The goal of life is living. Life is a field of opportunity, guiding the individual forward along paths created by the meshed forces or objective possibilities as they interweave with a person's own potentialities. And this philosophy of life is now bodied forth in the faces of beautiful women. ("Motherhood”
William S. Wilson“I find no reason to think that aging is genetically determined. Genes do not provide information for the development of the individual beyond growth and the reproductive process in which the genes are transmitted to the next generation. Once past the reproductive stage, the individual has served the purposes of preservation of the species, and then he is on his own. The wrinkled human face is the victim of gravity and of cumulative errors in the reproduction of cells. Since aging is not programed, but is a badly improvised interference with youthful beauty, we have improvised an operation to counteract its effects. Aging is a form of misinformation. If we get the facts right, you will be able to read it in our faces. ("Motherhood")”
William S. Wilson, Why I Don't Write Like Franz Kafka“I have associated myself with failed scientists in order to associate myself with failed irony. ("Metier: Why I Don't Write Like Franz Kafka")”
William S. Wilson, Why I Don't Write Like Franz Kafka“I don't think that anyone outside Paris can understand love and murder as we do.But Emile loves Paris, and loving Paris is a murderous education. ("Anthropology: What Is Lost In Rotation")”
William S. Wilson, Why I Don't Write Like Franz Kafka“...evolution propels itself by an inclination toward its next probable achievement." ("Desire")”
William S. Wilson, Why I Don't Write Like Franz Kafka“Every problem of medicine is a problem of language, and this operation was a malapropism.”
William S. Wilson, Why I Don't Write Like Franz Kafka“Today, and let us celebrate this fact, We can eat the light of our beloved, warmed by compassion or cooled by intellectual feeling. And if we are surprised, and some of us disappointed, that the light is now only green - well, such was the vital probability awaiting us. We have, after all, an increase in the energy available for further evolution; we can use the energy of our position relative to the probabilities in the future to reach the future we desire. The full use of this energy is just beginning to be explored, and we have the opportunity open to few generations to create our best opportunities. We must not slacken in our desire now if we desire a future. The pressure of probabilities on the present increases the momentum of evolution, and as the voluble helix turns, and turns us away from our improbable satiation, we can see that the shadow cast on the present from the future is not black but rainbowed, brilliant with lemon yellow, plum-purple, and cherry-red. I have no patience with those who say that their desire for light is satisfied. Or that they are bored. I have myself a still unsatisfied appetite for green: eucalyptus, celadon, tourmaline, and apple. ("Desire")”
William S. Wilson, Why I Don't Write Like Franz Kafka“Psychological motivation is the desire to change relations between two points, and so psychology is the study of equations with two unbound variables. ("America: Three Audiences")”
William S. Wilson, Why I Don't Write Like Franz Kafka“It's my side. I have found the pain. It is in my side, and I isolate it and define it, and arrange the other pains around it. I tell myself that pain is information, that I am learning to map the spaces of my own body. Then my body's feelings cascade toward my side, and pain pours over its outlines and erases them. ("Marriage")”
William S. Wilson, Why I Don't Write Like Franz Kafka“The infinitesimal seedlings became a forest of trees that grew courteously, correcting the distances between themselves as they shaped themselves to the promptings of available light and moisture, tempering the climate and the temperaments of the Scots, as the driest land became moist and the wettest land became dry, seedlings finding a mean between extremes, and the trees constructing a moderate zone for themselves even into what I would have called tundra, until I understood the fact that Aristotle taught, while walking in a botanic garden, that the middle is fittest to discern the extremes. ("Interim")”
William S. Wilson, Why I Don't Write Like Franz Kafka