“Fiction is the only way to redeem the formlessness of life”

“To discuss a Martin Amis book, you must first discuss the orchestrated release of a Martin Amis book. In London, which rightly prides itself on the vibrancy of its literary cottage industry, Amis is the Steve Jobs of book promoters, and his product rollouts are as carefully managed as anything Apple dreams up.”

“I think novelists are in the education business, really, but they're not teaching you times tables, they are teaching you responsiveness and morality and to make nuanced judgments. And really to just make the planet look a bit richer when you go out into the street.”

“The middle class is doing fine in fiction. But it's not what gets me going. I love the working class, and everyone from it I've met, and think they're incredibly witty, inventive - there's a lot of poetry there.”

“Only in art will the lion lie down with the lamb, and the rose grow without the thorn.”

“You know, I wouldn’t have done this a month ago. I wouldn’t have done it then. Then I was avoiding. Now I’m just waiting. Things happen to me. They do. They have to go ahead and happen. You watch – you wait… Things still happen here and something is waiting to happen to me. I can tell. Recently my life feels like a bloodcurdling joke. Recently my life has taken on *form* Something is waiting. I am waiting. Soon, it will stop waiting – any day now. Awful things can happen any time. This is the awful thing.”

“The first thing that distinguishes a writer is that he is most alive when alone.”

“A writer’s life is half ambition and half anxiety, and there has to be both. It is no good writing a novel and feeling fine, and it is no good writing a whole novel feeling miserable. It has to be both, that mixture of anxiety and ambition, and you get that with every novel, but more so when you write about these epics of human suffering. I felt that just as much when I wrote about the Gulag. Every writer knows what that is. The process goes… you have to think: ‘This novel I am writing is no good.’ Then you have to think: ‘All my novels are no good.’ And then, when you reach that point, you can begin.”

“Whereas I would argue that style is morality: morality detailed, configured, intensified. It’s not in the mere narrative arrangement of good and bad that morality makes itself felt. It can be there in every sentence”

“Now I have to lie on the bed for a few minutes and let the solitude gather round me once more.”

“Once upon a time there was a king, and the king commissioned his favorite wizard to create a magic mirror. This mirror didn’t show you your reflection. It showed you your soul—it showed you who you really were.The wizard couldn’t look at it without turning away. The king couldn’t look at it. The courtiers couldn’t look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.”