“…Finally, although Tennent’s Super Strong lager, White Lightning, and for the rare rich alcoholic Stella Artois are perfectly acceptable drinks, could you please come up with something less damaging? I think lighter fuel is better for you and contains fewer chemicals.”

“…Finally, although Tennent’s Super Strong lager, White Lightning, and for the rare rich alcoholic Stella Artois are perfectly acceptable drinks, could you please come up with something less damaging? I think lighter fuel is better for you and contains fewer chemicals.”

“No real reason for the lack of sleep, it’s a disadvantage of rotating shifts that every so often your body clock just throws up it’s hands in despair and goes to sulk behind the sofa – leaving you suffering insomnia and/or intense fatigue.”

“One of the police found a garden chair that I could stand on and they eyed me suspiciously as I tried to slide through the window.The fleece that I was wearing was padding me out too much so I took it off.I tried again, and this time it was my pen, pen-torch and scissors in my shirt pocket that got in the way. I moved them into my trouser pocket.One of the police asked if it would help if I was buttered up.I pretended not to listen to him. Or the giggles of my crewmate.”

“Prayers For Rain' begins like practically every Cure song, with an introduction that's longer than most Bo Diddley singles. Never mind the omnipresent chill, why does Robert Smith write such interminable intros? I can put on 'Prayers For Rain,' then cook an omelette in the time it takes him to start singing. He seems to have a rule that the creepier the song, the longer the wait before it actually starts. I'm not sure if Smith spends the intro time applying eye-liner or manually reducing his serotonin level, but one must endure a lot of doom-filled guitar patterns, cathedral-reverb drums and modal string synth wanderings during the opening of 'Prayers for Rain.”