“For a long moment, he held her gaze without speaking, simply letting the impact of words sink in, before adding rapidly, as though he wished to get it over with as quickly as possible, "I won't deny that you're beautiful. No mirror could tell you otherwise. But there are beautiful women for the buying in any brothel in London. Oh yes, and the ballrooms, too, if one has the proper price. It wasn't your appearance that caught me. It was the way you put me down in the gallery at Sibley Court." Vaughn's lips curved in a reminiscent smile. "And the way you tried to bargain with me after." bargained," Mary corrected."That," replied Lord Vaughn, "is exactly what I mean. Has anyone ever told you that you haggle divinely? That the simple beauty of your self-interest is enough to bring a man to his knees?"Mary couldn't in honesty say that anyone had.Vaughn's eyes were as hard and bright as silver coins. "Those are the reasons I want you. I want you for your cunning mind and your hard heart, for your indomitable spirit and your scheming soul, for they're more honest by far than any of the so-called virtues.""The truest poetry is the most feigning?" Mary quoted back his own words to him."And the most feigning is the most true.”

“Amy wondered if Bonaparte could declare war on Miss Gwen alone without breaking his peace with England”

“Say what you will about Queen Eleanor, she was a savvy, quick-witted woman who made her mark on history. And as the founder of the Courts of Love, what better patron monarch could there be for a romantic novelist?”

“I never sat down and said, 'I'm going to write historical fiction with strong romantic elements.' It was just the way the stories went.”

“My own inclination is to skew towards humor. They say that some people view life as a comedy, others as a tragedy. Me? Comedy all the way.”

“Old books exert a strange fascination for me -- their smell, their feel, their history; wondering who might have owned them, how they lived, what they felt.”

“Whether I like it or not, most of my images of what various historical periods feel, smell, or sound like were acquired well before I set foot in any history class. They came from Margaret Mitchell, from Anya Seton, from M.M. Kaye, and a host of other authors, in their crackly plastic library bindings. Whether historians acknowledge it or not, scholarly history’s illegitimate cousin, the historical novel, plays a profound role in shaping widely held conceptions of historical realities.”

“But that initial, comet-blazing-across-the-sky, Big Idea is only the beginning. Each book is composed of a mosaic of thousands of little ideas, ideas that invariably come to me at two in the morning when my alarm is set for seven.”

“I love the sound of words, the feel of them, the flow of them. I love the challenge of finding just that perfect combination of words to describe a curl of the lip, a tilt of the chin, a change in the atmosphere. Done well, novel-writing can combine lyricism with practicality in a way that makes one think of grand tapestries, both functional and beautiful. Fifty years from now, I imagine I’ll still be questing after just that right combination of words.”

“Turning to Turnip, Miss Dempsey said, 'Do you think?'. 'As little as I can,' Turnip replied honestly.”

“It's the exile's dilemma. The home they yearn for is never the home to which they return. If they return.”