Hello there," Inigo hollered when he could wait no more.The man in black glanced up and grunted."I've been watching you."The man in black nodded."Slow going," Inigo said."Look, I don't mean to be rude," the man in black said finally, "but I'm rather busy just now, so try not to distract me.""I'm sorry," Inigo said.The man in black grunted again."I don't suppose you could speed things up," Inigo said."If you want to speed things up so much," the man in black said, clearly quite angry now, "you could lower a rope or a tree branch or find some other helpful thing to do.

Hello there," Inigo hollered when he could wait no more.The man in black glanced up and grunted."I've been watching you."The man in black nodded."Slow going," Inigo said."Look, I don't mean to be rude," the man in black said finally, "but I'm rather busy just now, so try not to distract me.""I'm sorry," Inigo said.The man in black grunted again."I don't suppose you could speed things up," Inigo said."If you want to speed things up so much," the man in black said, clearly quite angry now, "you could lower a rope or a tree branch or find some other helpful thing to do.

William Goldman
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You don't want to be rude but you have to be careful - there are a lot of strange people out there.(Goldman attributes this quote to Cliff Robertson.)

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I must be overtired', Buttercup managed. 'The excitement and all.''Rest then', her mother cautioned. 'Terrible things can happen when you're overtired. I was overtired the night your father proposed.

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The hollowness was in his arms and the world was snowing.

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Life is pain, highness. Anyone who says differently is selling something.

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Her heart was a secret garden and the walls were very high.

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Funny thing- Morgenstern's folk's were named Max and Valerie and his father was a doctor.

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Screenplays are structure, and that’s all they are. The quality of writing—which is crucial in almost every other form of literature—is not what makes a screenplay work. Structure isn’t anything else but telling the story, starting as late as possible, starting each scene as late as possible. You don’t want to begin with “Once upon a time,” because the audience gets antsy.

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Give the reader what they want, just not the way they expect it.

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