Her entire life, she’d been told sin was wrong, a black and white interpretation of what is evil and what is holy in the world—colored like a priest’s robe and collar—but she never believed it to be true. Sin was colorful: scarlet like rose blood, azure like skin deprived oxygen, violet as bruises, jade as rot; a colorful contradiction to the darkness and blinding light all are taught sin and holiness to be.

Her entire life, she’d been told sin was wrong, a black and white interpretation of what is evil and what is holy in the world—colored like a priest’s robe and collar—but she never believed it to be true. Sin was colorful: scarlet like rose blood, azure like skin deprived oxygen, violet as bruises, jade as rot; a colorful contradiction to the darkness and blinding light all are taught sin and holiness to be.

Madi Merek
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Her entire life, she’d been told sin was wrong, a black and white interpretation of what is evil and what is holy in the world—colored like a priest’s robe and collar—but she never believed it to be true. Sin was colorful: scarlet like rose blood, azure like skin deprived oxygen, violet as bruises, jade as rot; a colorful contradiction to the darkness and blinding light all are taught sin and holiness to be.

Madi Merek, Message to New York
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