Human perfection and technical perfection are incompatible. If we strive for one, we must sacrifice the other: there is, in any case, a parting of the ways. Whoever realises this will do cleaner work one way or the other.Technical perfection strives towards the calculable, human perfection towards the incalculable. Perfect mechanisms - around which, therefore, stands an uncanny but fascinating halo of brilliance - evoke both fear and Titanic pride which will be humbled not by insight but only by catastrophe.The fear and enthusiasm we experience at the sight of perfect mechanisms are in exact contrast to the happiness we feel at the sight of a perfect work of art. We sense an attack on our integrity, on our wholeness. That arms and legs are lost or harmed is not yet the greatest danger.

Human perfection and technical perfection are incompatible. If we strive for one, we must sacrifice the other: there is, in any case, a parting of the ways. Whoever realises this will do cleaner work one way or the other.Technical perfection strives towards the calculable, human perfection towards the incalculable. Perfect mechanisms - around which, therefore, stands an uncanny but fascinating halo of brilliance - evoke both fear and Titanic pride which will be humbled not by insight but only by catastrophe.The fear and enthusiasm we experience at the sight of perfect mechanisms are in exact contrast to the happiness we feel at the sight of a perfect work of art. We sense an attack on our integrity, on our wholeness. That arms and legs are lost or harmed is not yet the greatest danger.

Ernst Jünger
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When the artist finds himself he is lost. The fact that he has succeeded in never finding himself is regarded by Max Ernst as his only lasting achievement.

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Really, doesn´t everything make sense? There are, of course, things from which we more or less recover, although some of them are too harsh even for saints. But that is no reason to accuse God. Even if there are reasons to doubt him, the fact that he did not arrange the world like a well-ordered parlor is not one of them. It speaks rather in his favor. This used to be much better understood.

Ernst Jünger
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Although I am an anarch, I am not anti-authoritarian. Quite the opposite: I need authority, although I do not believe in it. My critical faculties are sharpened by the absence of the credibility that I ask for. As a historian, I know what can be offered.

Ernst Jünger
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Law and custom are becoming the subjects of a new field of learning. The anarch endeavors to judge them ethnographically, historically, and also – I will probably come back to this – morally. The State will be generally satisfied with him; it will scarcely notice him In this respect he bears a certain resemblance to the criminal – say, the master spy – whose gifts are concealed behind a run-of-the-mill occupation.

Ernst Jünger, Eumeswil
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The anarch, as I have expounded elsewhere, is the pendant to the monarch; he is as sovereign as the monarch, and also freer since he does not have to rule.

Ernst Jünger, Eumeswil
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I am an anarch – not because I despise authority, but because I need it. Likewise, I am not a nonbeliever, but a man who demands something worth believing in.

Ernst Jünger, Eumeswil
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The partisan wants to change the law, the criminal break it; the anarch wants neither. He is not for or against the law. While not acknowledging the law, he does try to recognize it like the laws of nature, and he adjusts accordingly.

Ernst Jünger, Eumeswil
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Habent sua fata libelli et balli [Books and bullets have their own destinies]

Ernst Jünger, Storm of Steel
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The political trend is always to be observed, partly as a spectacle, partly for one’s own safety. The liberal is dissatisfied with regime; the anarch passes through their sequence – as inoffensively as possible – like a suite of rooms. This is the recipe for anyone who cares more about the substance of the world than its shadow – the philosopher, the artist, the believer.

Ernst Jünger, Eumeswil
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When society involves the anarch in a conflict which in which he does not participate inwardly, it challenges him to launch an opposition. He will try to turn the lever with which society moves him. Society is then at his disposal, say, as a stage for grand spectacles that are devised for him. Everything changes; the fetter becomes fascinating, danger an adventure, a suspenseful task.

Ernst Jünger, Eumeswil
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