“I am beginning to be sorry that I ever undertook to write this book. Not that it bores me; I have nothing else to do; indeed, it is a welcome distraction from eternity. But the book is tedious, it smells of the tomb, it has a rigor mortis about it; a serious fault, and yet a relatively small one, for the great defect of this book is you, reader. You want to live fast, to get to the end, and the book ambles along slowly; you like straight, solid narrative and a smooth style, but this book and my style are like a pair of drunks; they stagger to the right and to the left, they start and they stop, they mutter, they roar, they guffaw, they threaten the sky, they slip and fall...And fall! Unhappy leaves of my cypress tree, you had to fall, like everything else that is lovely and beautiful; if I had eyes, I would shed a tear of remembrance for you. And this is the great advantage in being dead, that if you have no mouth with which to laugh, neither have you eyes with which to cry.”

“Nothing could have been more imprudent or more natural than this reply. It reflected the ecstasy inspired by great crises.”

“A man's eye serves as a photography to the invisible, as well as his ear serves as echo to the silence.”

“I considered the case and realized that if something can exist in opinion without existing in reality, or exist in reality without existing in opinion, the conclusion is that of the two parallel lives, only opinion is necessary – not reality, which is only a secondary consideration.”

“he best thing to do is to loosen my grip on my pen and let it go wandering about until it finds an entrance. There must be one – everything depends on the circumstances, a rule applicable as much to literary style as to life. Each word tugs another one along, one idea another, and that is how books, governments and revolutions are made – some even say that is how Nature created her species.”

“The best thing to do is to loosen my grip on my pen and let it go wandering about until it finds an entrance. There must be one – everything depends on the circumstances, a rule applicable as much to literary style as to life. Each word tugs another one along, one idea another, and that is how books, governments and revolutions are made – some even say that is how Nature created her species.”

“O Diabo, invejoso, fez o homem confundir fé com religião e amor com casamento.”

“Till now, madness has been thought a small island in an ocean of sanity. I am beginning to suspect that it is not an island at all but a continent.”

“...one of the roles of man is to shut his eyes and keep them shut to see if he can continue into the night of his old age the dream curtailed in the night of his youth.”

“In ordinary life, the action of a third party does not free the contractor from an obligation; but the advantage of making a contract with heaven is that intentions are valid currency.”

“Lovers' language, give me an exact and poetic comparison to say what those eyes of Capitu were like. No image comes to mind that doesn't offend against the rules of good style, to say what they were and what they did to me. Undertow eyes? Why not? Undertow. That's the notion that the new expression put in my head. They held some kind of mysterious, active fluid, a force that dragged one in, like the undertow of a wave retreating from the shore on stormy days. So as not to be dragged in, I held onto anything around them, her ears, her arms, her hair spread about her shoulders; but as soon as I returned to the pupils of her eyes again, the wave emerging from them grew towards me, deep and dark, threatening to envelop me, draw me in and swallow me up.”