“I am no king, and I am no lord,And I am no soldier at-arms," said he."I'm none but a harper, and a very poor harper,That am come hither to wed with ye.""If you were a lord, you should be my lord,And the same if you were a thief," said she."And if you are a harper, you shall be my harper,For it makes no matter to me, to me,For it makes no matter to me.""But what if it prove that I am no harper?That I lied for your love most monstrously?""Why, then I'll teach you to play and sing,For I dearly love a good harp," said she.”

“Because that world's gone. The world where people walked around whistling that music. All the madrigal singers in the world can't make that other one real again. It's like dinosaurs. We can put them back together perfectly, bone for bone, but we don't know what they smelled like, what kind of sounds they made, or how big they really looked standing in the grass under all those fossil fern trees. Even the sunlight must have been different, and the wind. What can bones tell you about a kind of wind that doesn't blow anymore?”

“The last unicorn lived in a lilac wood, and she lived all alone.”

“After the third [San Miguel], I am likely to announce that all writing is fantasy anyway: that to set any event down in print is immediately to begin to lie about it, thank goodness; and that it's no less absurd and presumptuous to try on the skin of a bank teller than that of a Bigfoot or a dragon.”

“When we go to the fair in disguise, we never win at archery or at singlestick. We do get some nice compliments on our disguises, but no more than that.”

“We don't steal from the rich and give to the poor. We steal from the poor because they can't fight back --most of them-- and the rich take from us because they could wipe us out in a day.”

“Love was generous precisely because it could never be immortal.”

“The Cat: When the wine drinks itself, when the skull speaks, when the clock strikes the right time, only then will you find the tunnel that leads to the Red Bull. There be a trick to it, of course.”

“The writing of fantasy is best left to those who have nothing better to do, as is indicated by the fairy tales of otherwise gifted writers like Robert Graves and John Ciardi. It isn't so much the difficulty of doing it right, without falling off the tightrope into the cold pits of allegory or mindless whimsy‌—‌the weary thing is that even if you bring it off, all you've done is write a fantasy, and so what? Life is dangerous, and escapism has become a dirty word. I feel the same way, being a child of my own critical times. I'd write the other stuff, the real books, if I could. Plenty nitty-gritty. If I could.”

“But some, a very come to the gods all on their own They find their way—long and far it is, sometimes—and they wander up to the altars, shy and clumsy and embarrassed and alone, and when they can get the words out, they say, 'Well. Here I am”

“He really would have done all that for her, you see, and done it believing he'd burn in hell forever for doing it. He hadn't done it, and wouldn't had made her his anyway, but you see why he'd have figured it did. Or maybe I saw it anyway, at the time. He was a maniac and a monster, but people don't love like that anymore. Or maybe it's only the maniacs and monsters who do. I don't know. ”