“I am too rich already, for my eyes mint”

“The vastest things are those we may not learn.We are not taught to die, nor to be born,Nor how to burnWith love.How pitiful is our enforced returnTo those small things we are the masters of.”

“She had expressed herself, as women will, in a smug broadside of pastel shades. Nothing clashed because nothing had the strength to clash; everything murmured of safety among the hues; all was refinement.”

“And then he began to laugh in a peculiar way of his own which was both violent and soundless. His heavy reclining body, draped in its black gown, heaved to and fro. His knees drew themselves up to his chin. His arms dangled over the sides of the chair and were helpless. His head rolled from side to side. It was as though he were in the last stages of strychnine poisoning. But no sound came, nor did his mouth even open. Gradually the spasm grew weaker, and when the natural sand colour of his face had returned (for his corked-up laughter had turned it dark red) he began his smoking again in earnest.”

“Meanwhile Bellgrove had been savouring love's rare aperitif, the ageless language of the eyes.”

“His mother stood before him like a monument. He saw her great outline through the blur of his weakness and his passion. She made no movement at all.”

“She had shown him by her independence how it was only fear that held people together. The fear of being alone and the fear of being different.”

“But his mind saw nothing of all this. His mind was engaged in a warfare of the gods. His mind paced outwards over no-man's-land, over the fields of the slain, paced to the rhythm of the blood's red bugles. To be alone and evil! To be a god at bay. What was more absolute?”

“For what is more lovable than failure?”

“How merciful a thing is man's ignorance of his immediate future! What a ghastly, paralysing thing it would have been if all those present could have known what was about to happen within a matter of seconds! For nothing short of pre-knowledge could have stopped the occurrence, so suddenly it sprang upon them.”

“Consensus wisdom has it that all modern commercial fantasy novels fall into two camps: those derived from J.R.R. Tolkien and those derived from Mervyn Peake. The 'Lord of the Rings' template or the 'Gormenghast' mold.”