“I believe his lies, so he believes mine.' She turns and looks at me straight on. 'That's how it goes at the end of love.”

“I believe his lies, so he believes mine.' She turns and looks at me straight on. 'That's how it goes at the end of love.”

“Life makes fools of us all sooner or later. But keep your sense of humor and you'll at least be able to take your humiliations with some measure of grace. In the end, you know, it's our own expectations that crush us." -- from Skippy Dies”

“THE ACCURSED SHIP didn’t sink for a full three hours. By the time it did, I was feeling so traumatized that even watching Dogface die offered little consolation. The dialogue, the acting, the vast emptiness of the whole endeavor! Was that what passed for cinema these days? I felt like I had been violated; violated by a team of accountants. Laura, prostrated by grief, lay weeping on my lap. Frank stared stolidly at the credits, over which, as a coup de grâce, a cat or cats were being strangled to the effect that “My Heart Will Go On,” which at this moment in time was not a sentiment I could endorse.”

“I don’t see Number Four though—oh.” Number Four, wearing an unflattering chartreuse jacket, was sitting alone on the chewed-up grass, despondently licking his testicles. “Hmm, I don’t know, Bel . .”

“You always were such a worrier. It was as if you thought your worrying was all that held the world together, and if you stopped for a split second the whole thing would just fly apart.”

“Life is a precious commodity, Charles. It’s time you achieved your full potential and learned the true value of things.” “You’re talking like a Stalinist!” I cried. “People don’t get jobs to achieve things and learn values! They do it because they have to, and then they use whatever’s left over to buy themselves nice things that make them feel less bad about having jobs!”

“When I came to again—parched, pain rampaging through my intestines—I was in my bed. The little bedside lamp illuminated two anxious faces, my sister’s and Mrs. P.’s (the latter looking a shade guilty, I noted, no doubt realizing that it was effectively through her negligence that I had been forced to poison myself) [. . .] “I think he has eaten many kidney beans.” Mrs. P. shuddered. “Many kidney beans not cooked.” “Beans!” I cried again deliriously. “Oh for heaven’s sake,” Bel said. “Charles, listen carefully, did you soak the beans before you cooked them?” “Of course I didn’t soak them,” I said. “What are you talking about?”

“I decided I would teach Mrs. P. a lesson by cooking my own meal.”

“I saw myself as reviving a certain mode of life, a mode that had been almost lost: the contemplative life of the country gentleman, in harmony with his status and history. In Renaissance times they had called it sprezzatura. The idea was to do whatever one did with grace, to imbue one’s every action with beauty, while at the same time making it look quite effortless. Thus, if one were to work at, say, law, one should raise it to the level of an art; if one were to laze, then one must laze beautifully. This, they said, was the true meaning of being an aristocrat.”

“The importance of humor is primarily to puncture fixed ideas—to make us step back and realize that our situation, whatever it may be, is, in the grand scheme of things, always contingent and arbitrary and ephemeral. And that helps us to deal with our emotions and to keep going. Holding on to one perspective, on the other hand, whether it takes the form of grief or anger or a particular political standpoint, is often destructive to us and to those around us”

“There’s no escaping it,” he’d been fond of telling us when he was well, “the way you look defines who you are. You might argue for your soul, or your heart, but everyone else in the world will judge you on your big nose or your weak chin. Six billion people could be wrong, but you’ll never get them to admit it.”