“I didn't mind what she called me, what anybody called me. But this was the room I had to live in. It was all I had in the way of a home. In it was everything that was mine, that had any association for me, any past, anything that took the place of a family. Not much: a few books, pictures, radio, chessmen, old letters, stuff like that. Nothing. Such as they were, they had all my memories.”
Raymond Chandler“Television's perfect. You turn a few knobs, a few of those mechanical adjustments at which the higher apes are so proficient, and lean back and drain your mind of all thought. And there you are watching the bubbles in the primeval ooze. You don't have to concentrate. You don't have to react. You don't have to remember. You don't miss your brain because you don't need it. Your heart and liver and lungs continue to function normally. Apart from that, all is peace and quiet. You are in the man's nirvana. And if some poor nasty minded person comes along and says you look like a fly on a can of garbage, pay him no mind. He probably hasn't got the price of a television set.”
Raymond Chandler“She poured us some more Scotch. It didn't seem to affect her any more than water affects Boulder Dam.”
Raymond Chandler“I feel sorry for novelists when they have to mention women's eyes: there's so little choice, and whatever colouring is decided upon inevitably carries banal implications. Her eyes are blue: innocence and honesty. Her eyes are black: passion and depth. Her eyes are green: wildness and jealousy. Her eyes are violet: the novel is by Raymond Chandler.”
Julian Barnes, Flaubert's Parrot“I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again.”
Raymond Chandler, The High Window“I don’t mind if you don’t like my manners. They’re pretty bad. I grieve over them during the long winter evenings.”
Raymond Chandler, The Big Sleep“The dilemma of the critic has always been that if he knows enough to speak with authority, he knows too much to speak with detach”
Raymond Chandler, The Notebooks of Raymond Chandler; and English Summer: A Gothic Romance“There are two kinds of truth: the truth that lights the way and the truth that warms the heart. The first of these is science, and the second is art. Neither is independent of the other or more important than the other. Without art science would be as useless as a pair of high forceps in the hands of a plumber. Without science art would become a crude mess of folklore and emotional quackery. The truth of art keeps science from becoming inhuman, and the truth of science keeps art from becoming ridicu”
Raymond Chandler, The Notebooks of Raymond Chandler; and English Summer: A Gothic Romance“There are two kinds of truth: the truth that lights the way and the truth that warms the heart. The first of these is science, and the second is art. Neither is independent of the other or more important than the other. Without art science would be as useless as a pair of high forceps in the hands of a plumber. Without science art would become a crude mess of folklore and emotional quackery. The truth of art keeps science from becoming inhuman, and the truth of science keeps art from becoming ridiculous.", February 19, 1938)”
Raymond Chandler, The Notebooks of Raymond Chandler; and English Summer: A Gothic Romance