“I had a theory; I’m not sure if it was my own but it worked for me. Public spaces, such as streets and subway stations, became inhabitable as I assigned them some value and imprinted an experience on them. If I recited a snatch of Paterson every time I walked along a certain avenue, eventually that avenue would sound like William Carlos Williams. The entrance to the subway at 116th Street was Emily Dickinson’s:Presentiment is that long shadow on the lawnIndicative that suns go down;The notice to the startled grassThat darkness is about to pass.”
Valeria Luiselli“I had a theory; I’m not sure if it was my own but it worked for me. Public spaces, such as streets and subway stations, became inhabitable as I assigned them some value and imprinted an experience on them. If I recited a snatch of Paterson every time I walked along a certain avenue, eventually that avenue would sound like William Carlos Williams. The entrance to the subway at 116th Street was Emily Dickinson’s:Presentiment is that long shadow on the lawnIndicative that suns go down;The notice to the startled grassThat darkness is about to pass.”
Valeria Luiselli, Los ingrávidos“He fell into a solemn silence, which he only eventually broke to say, “I think I’ve become a terrible person. In fact, I’ve become a reptile. Do you know that reptiles are stupid because almost their entire brain capacity is used to feel fear?”
Valeria Luiselli, The Story of My Teeth