“I have named you queen.There are taller than you, taller.There are purer than you, purer.There are lovelier than you, lovelier.But you are the queen.When you go through the streetsNo one recognizes you.No one sees your crystal crown, no one looksAt the carpet of red goldThat you tread as you pass,The nonexistent carpet.And when you appearAll the rivers soundIn my body, bellsShake the sky,And a hymn fills the world.Only you and I,Only you and I, my love,Listen to it.”

“Settle your perfect hips here and the bow of wet arrowsloosens into the night the petals that form your formlet your clay limbs climb the silence and its pale ladderrung by rung taking off with me in my dream.I can sense you scaling the shade tree that sings to the shadows.Dark is the world’s night without you my love,”

“Dark is the world’s night without you my love,”

“In one kiss, you'll know all I haven't said.”

“Our love was bornoutside the walls,in the wind,in the night,in the earth,and that's why the clay and the flower,the mud and the rootsknow your name.”

“You came to my lifewith what you were bringing,madeof light and bread and shadow I expected you,and Like this I need you,Like this I love you,and to those who want to hear tomorrowthat which I will not tell them, let them read it here,and let them back off today because it is earlyfor these arguments.”

“Fear envelops bones like new skin,envelops blood with night’s skin,the earth moves beneath the soles of the feet -it is not your hair but the terror in your head,like long hair made of vertical nails,and what you see are not shattered streets,but rather, within you, your own crushed walls,your frustrated infinity, again the city comescrashing down: in your silence, only water’s threatis heard, and in the waterdrowned horses gallop through your death.”

“It was at that agethat poetry came in search of me.”

“We the mortals touch the metals,the wind, the ocean shores, the stones,knowing they will go on, inert or burning,and I was discovering, naming all the these things:it was my destiny to love and say goodbye.”

“When I hit a block, regardless of what I am writing, what the subject matter is, or what's going on in the plot, I go back and I read Pablo Neruda's poetry. I don't actually speak Spanish, so I read it translation. But I always go back to Neruda. I don't know why, but it calms me, calms my brain.”

“And it was at that age ... Poetry arrived in search of me. I don't know, I don't know where it came from, from winter or a river. I don't know how or when, no they were not voices, they were not words, nor silence, but from a street I was summoned, from the branches of night, abruptly from the others, among violent fires or returning alone, there I was without a face and it touched me. ”