“I just completed a long car trip on a Sunday in August with two small children, which believe me is enough to convince you that Samuel Beckett was right about everything.”

“I've drunk Amazon's free Diet Coke. Nothing makes more sense to me than a company trying to make bookselling into a profitable business. I'm not anti-Amazon, and I'm not pro-publishers either. I'm pro-books.”

“Becoming an author changes your attitude too. Once you see where books come from, and how they're made, they never seem quite as sacred again.”

“I just completed a long car trip on a Sunday in August with two small children, which believe me is enough to convince you that Samuel Beckett was right about everything.”

“The gods were great, but what good was greatness if you didn't love?”

“I call the right axe Sorrow," she said. "You know what I call the left one?" "Happiness?" "Sorrow. I can't tell them apart.”

“I read obsessively when I'm writing. I think there are two kinds of fiction writers, those who read incessantly while they write and those who can't read at all, lest their individual voices get overwhelmed, or tainted somehow. I'm the first kind. To use a painfully precious metaphor, I need fixed stars to navigate by, otherwise I get lost in the blankness of the page.”

“If my generation is remembered for anything, it will be as the last one that remembers the world before the Internet.”

“I killed the Google Alert I used to have on myself two years ago. I don’t need any more information about myself. I get more than enough of that just by being me.”

“You don’t learn about yourself by being alone, you learn about yourself from other people.”

“The idea of some kind of objectively constant, universal literary value is seductive. It feels real. It feels like a stone cold fact that In Search of Lost Time, by Marcel Proust, is better than A Shore Thing, by Snooki. And it may be; Snooki definitely has more one-star reviews on Amazon. But if literary value is real, no one seems to be able to locate it or define it very well. We’re increasingly adrift in a grey void of aesthetic relativism.”