I know now that all people hunger for a noble, unsullied past, that as sure as the black nationalist dreams of a sublime Africa before the white man's corruption, so did Thomas Jefferson dream of an idyllic Britain before the Normans, so do all of us dream of some other time when things were so simple. I know now that that hunger is a retreat from the knotty present into myth and that what ultimately awaits those who retreat into fairy tales, who seek refuge in the mad pursuit to be made great again, in the image of greatness that never was, is tragedy.

I know now that all people hunger for a noble, unsullied past, that as sure as the black nationalist dreams of a sublime Africa before the white man's corruption, so did Thomas Jefferson dream of an idyllic Britain before the Normans, so do all of us dream of some other time when things were so simple. I know now that that hunger is a retreat from the knotty present into myth and that what ultimately awaits those who retreat into fairy tales, who seek refuge in the mad pursuit to be made great again, in the image of greatness that never was, is tragedy.

Ta-Nehisi Coates
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I don’t so much hope that any reader “agrees” with me, as I hope to haunt them, to trouble their sense of how things actually are.

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One strain of African American thought holds that it is a violent black recklessness—the black gangster, the black rioter—that strikes the ultimate terror in white America. Perhaps it does, in the most individual sense. But in the collective sense, what this country really fears is black respectability, Good Negro Government. It applauds, even celebrates, Good Negro Government in the unthreatening abstract—The Cosby Show, for instance. But when it becomes clear that Good Negro Government might, in any way, empower actual Negroes over actual whites, then the fear sets in, the affirmative-action charges begin, and birtherism emerges.

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There isn't a dude outside my dad who had greater influence on my life.

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My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that was exactly what was happening all around us.

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I didn't start off as a journalist; I started off as a poet. My ambition was to practise poetry. Then I found journalism, but that other voice never fled from me.

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The essential relationship across American history between black people and white people is one of exploitation and one of plunder. This is not, you know, necessarily about, you know, whether you're a good person or not or whether you see black people, you know, on the street, and you're willing to shake their hands and be polite.

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You may not be able to change the course of government, but you can achieve some peace. And books were the path to that. I grew up in a house where books were everywhere.

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My belief is in the chaos of the world and that you have to find your peace within the chaos and that you still have to find some sort of mission.

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Outside of hip-hop, it was in comics that I most often found the aesthetics and wisdom of my world reflected.

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Superheroes are best imagined in comic books. The union between the written word, the image, and then what your imagination has to do to connect those allows for so much.

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