I make up as little as possible. I spend a great deal of time on research, on finding all the available accounts of a scene or incident, finding out all the background details and the biographies of the people involved there, and I try to run up all the accounts side by side to see where the contradictions are and to look where things have gone missing. And it's really in the gap - it's in the erasures - that I think the novelist can best go to work because inevitably in history in any period, we know a lot about what happened, but we may be far hazier on why it happened. And there's always the question, why did it happen the way it did? Where was the turning point?

I make up as little as possible. I spend a great deal of time on research, on finding all the available accounts of a scene or incident, finding out all the background details and the biographies of the people involved there, and I try to run up all the accounts side by side to see where the contradictions are and to look where things have gone missing. And it's really in the gap - it's in the erasures - that I think the novelist can best go to work because inevitably in history in any period, we know a lot about what happened, but we may be far hazier on why it happened. And there's always the question, why did it happen the way it did? Where was the turning point?

Hilary Mantel
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But I had to think to myself that this was normal, because that was the attitude. I was 19 when I went to see my doctor and I was told it was all in the mind.[Author Hilary Mantel on being told her endometriosis was imagined pain, From Oct 2009 Daily Mail interview]

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It is not easy to talk about a condition once dismissed as ‘the career women’s disease’. But women will continue to suffer until we realise the cost of ignoring it

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What is the nature of the border between truth and lies? It is permeable and blurred because it is planted thick with rumour, confabulation, misunderstandings and twisted tales. Truth can break the gates down, truth can howl in the street; unless truth is pleasing, personable and easy to like, she is condemned to stay whimpering at the back door.

Hilary Mantel, Bring Up the Bodies
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Fiction leaves us so much work to do, allows the individual so much input; you have to see, you have to hear, you have to taste the madeleine, and while you are seemingly passive in your chair, you have to travel.

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Once you're labeled as mentally ill, and that's in your medical notes, then anything you say can be discounted as an artefact of your mental illness.

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History is always changing behind us, and the past changes a little every time we retell it.

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History offers us vicarious experience. It allows the youngest student to possess the ground equally with his elders; without a knowledge of history to give him a context for present events, he is at the mercy of every social misdiagnosis handed to him.

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I didn't cry much after I was 35, but staggered stony-faced into middle age, a handkerchief still in my bag just in case.

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One summer at the fag end of the nineties, I had to go out of London to talk to a literary society, of the sort that must have been old-fashioned when the previous century closed. When the day came, I wondered why I'd agreed to it; but yes is easier than no, and of course when you make a promise you think the time will never arrive: that there will be a nuclear holocaust, or something else diverting.

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Every time you go to see Hamlet you don't expect it to have a happy ending...you're still enthralled.(Interview BBC Radio 4 Today 17 October 2012.)

Hilary Mantel
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