“I remember when I first began writing, I would spend maybe five or six hours on perhaps two paragraphs, and at the end of the day, not only were the paragraphs pretty terrible but I was also exhausted by the effort. I clearly wasn't in shape. You don't just tie on a pair of running shoes and go out and run a marathon. You have to be in running shape, just like you have to be in writing shape.”

“I remember when I first began writing, I would spend maybe five or six hours on perhaps two paragraphs, and at the end of the day, not only were the paragraphs pretty terrible but I was also exhausted by the effort. I clearly wasn't in shape. You don't just tie on a pair of running shoes and go out and run a marathon. You have to be in running shape, just like you have to be in writing shape.”

“I remember when I first began writing, I would spend maybe five or six hours on perhaps two paragraphs, and at the end of the day, not only were the paragraphs pretty terrible but I was also exhausted by the effort. I clearly wasn't in shape. You don't just tie on a pair of running shoes and go out and run a marathon. You have to be in running shape, just like you have to be in writing shape.”

“A good part of the physical attraction [between the hero and heroine of a romance novel] comes to life during these exchanges as well, since language creates a meeting of the minds. I have long thought that these lines of dialogue carve out the lines of the central love relationship. The dialogue between the hero and heroine creates the central shape of the story. It is the verbal sculpture.”