“I see every book as a problem that you have to solve. That is what dictates the form you use. It's not that you say, 'I want to write a science fiction book.' You start from the other end, and what you have to say dictates the form of it.”

“We stood, separated by space, certainly, in identical conditions of pleasant uncertainty and anticipation, and we both held our heart in our hands, all pink and palpitating and ready for pleasure and pain, and we were about to throw these hearts in each other's faces like snowballs, or cricket balls (How's that?) or, more accurately, like great bleeding wounds: "Take my wound". Because the last thing one ever thinks at such moments is that he (or she) will say: Take my wound, please remove the spear from my side. No, not at all; one simply expects to get rid of one's one.”

“Humanity's legacy of stories and storytelling is the most precious we have. All wisdom is in our stories and songs. A story is how we construct our experiences. At the very simplest, it can be: 'He/she was born, lived, died.' Probably that is the template of our stories - a beginning, middle, and end. This structure is in our minds.”

“What really fascinates me is this need that is so strong now that if you read a work of the imagination you instantly have to say, 'Oh, what this really is is so-and-so,' reducing it to a simple formula.”

“I do not think that marriage is one of my talents. I've been much happier unmarried than married.”

“I think kids ought to travel. I think it's very good to carry kids around. It's good for them. Of course it's tough on the parents.”

“Man, who is he? Too bad, to be the work of God: Too good for the work of chance!”

“September 11 was terrible but, if one goes back over the history of the IRA, what happened to the Americans wasn't that terrible.”

“There is only one real sin and that is to persuade oneself that the second best is anything but second best.”

“The great secret that all old people share is that you really haven't changed in seventy or eighty years. Your body changes, but you don't change at all. And that, of course, causes great confusion.”

“I see every book as a problem that you have to solve. That is what dictates the form you use. It's not that you say, 'I want to write a science fiction book.' You start from the other end, and what you have to say dictates the form of it.”