“I suppose I was artistic as a child. Our house was so full of art and artists that it never occurred to me not to be constantly making things. I just assumed that all kids liked to work with their hands as much as I did. I was an only child so I did have a lot of time to be creative by myself and with my parents.”

“I suppose I was artistic as a child. Our house was so full of art and artists that it never occurred to me not to be constantly making things. I just assumed that all kids liked to work with their hands as much as I did. I was an only child so I did have a lot of time to be creative by myself and with my parents.”

“My mother used to read to me every night when I was little. We got through most of the major fantasy books of that time. The Narnia books by C.S. Lewis were my favorites and, later, Tolkien's The Lord of the Rings. I started making dolls to fill in the gaps of the dolls I had. Obviously we couldn't buy centaurs and fauns and elves and fairies, so I made them to play with the normal dolls I had. I must have been about six years old when I started making fantasy dolls.”

“People need to believe in more than what they see in everyday life. Somewhere inside, we all know that there is more out there than we experience normally. A belief in the other world can help explain why things happen to us. It can give us hope. I feel that we all hope we never get to be too old to fly to Never-Never Land or go through a wardrobe into Narnia. We want to think that there is something looking back at us when we look at the stars. We want to think that just around the bend in the forest, we'll find fairies dancing in a ring. I hope that my work affirms those beliefs," she continues. "I want people to think of my work as a key to that other world.”