“I suppose that someday, suddenly, I will be transferred to another age, for example the chivalric or the bronze. The hope is, of course, that I arrive in period dress but not resemble a contemporary luminary, for I wish to simply onlook. But, more probably, thanks to chronologically garbled garb, or my mistakable face—which will lead to expectations of competence—I will have to explain my occurrence. That explained, I will have to explain my age, The Present, also known as "The Future" in the past. This is why I am studying our great inventions and advances: to be ready for questions.”

“I suppose that someday, suddenly, I will be transferred to another age, for example the chivalric or the bronze. The hope is, of course, that I arrive in period dress but not resemble a contemporary luminary, for I wish to simply onlook. But, more probably, thanks to chronologically garbled garb, or my mistakable face—which will lead to expectations of competence—I will have to explain my occurrence. That explained, I will have to explain my age, The Present, also known as "The Future" in the past. This is why I am studying our great inventions and advances: to be ready for questions.”

“Whether people need nature or not, it was clear that nature needed people. But perhaps nature needs us like a hostage needs her captors: nature needs us not to annihilate her, not to run her over, not to cover her with cement, not to chop her down. We can hardly admire ourselves, then, when we stop to accommodate nature's needs: we are dubious heroes who create peril and then save it's victims, we who rescue the animals and the trees from ourselves.”

“A tree can be tempted out of its winter dormancy by a few hours of southerly sun—the readiness to believe in spring is stronger than sleep or sanity.”

“I suppose that someday, suddenly, I will be transferred to another age, for example the chivalric or the bronze. The hope is, of course, that I arrive in period dress but not resemble a contemporary luminary, for I wish to simply onlook. But, more probably, thanks to chronologically garbled garb, or my mistakable face—which will lead to expectations of competence—I will have to explain my occurrence. That explained, I will have to explain my age, The Present, also known as "The Future" in the past. This is why I am studying our great inventions and advances: to be ready for questions.”

“Thereafter were the stars persuaded to depict compasses and quadrants, stripped of their names, given numbers, all but regimented into a grid, before they had had enough and reverted to their old subjects: dogs, dragons, herdsmen, bears. Take heed, worldly fashion—someone may trust you up to a point, but if you push him too far you will lose all the power you ever had over him and he will blaze up and turn into a bear.”

“In the year 3,000,002,012 the Andromeda Galaxy may collide with our Milky Way. At first this sounds miserable, like a collision of two bird flocks. But galaxy members fly farly, not tip to tip. In a galactic collision the stars do not actually collide—as with crisscrossing marching bands, only the interstices collide. (Oh to be like a galaxy, to mingle without wrecking. But then we would have to be composed of so much more sky.) The spaces between stars are so wide that thousands of galaxies have to converge before the stars will crash.”

“Thus are many identities, over time, shown to be temporary alignments of components involved in a deeper allegiance.”

“Living in a galaxy is like living in a neighborhood where the house down the street might have burned down four thousand years ago but you wouldn't know it for another three thousand years.”

“Why should conversation always be so much more coherent than experience?”

“Plants cannot stay safe. Desire for light spools grass out of the ground; desire for a visitor spools red ruffles out of twigs. Desire makes plants very brave, so they can find what they desire; and very tender, so they can feel what they find.”

“Even in rainier areas, where dust is less inexorable and submits to brooms and rags, it is generally detested, because dust is not organized and is therefore considered aesthetically bankrupt. Our light is not kind to faint diffuse spreading things. Our soft comfortable light flatters carefully organized, formally structured things like wedding cakes with their scrolls and overlapping flounces.It takes the mortal storms of a star to transform dust into something incandescent. Our dust, shambling and subtractive as it is, would be radiant, if we were close enough to such a star, to that deep and dangerous light, and we would be ravished by the vision—emerald shreds veined in gold, diamond bursts fraught with deep-red flashes, aqua and violet and icy-green astral manifestations, splintery blinking harbor of light, dust as it can be, the quintessence of dust.”