“I want you to knowone thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.”

“Settle your perfect hips here and the bow of wet arrowsloosens into the night the petals that form your formlet your clay limbs climb the silence and its pale ladderrung by rung taking off with me in my dream.I can sense you scaling the shade tree that sings to the shadows.Dark is the world’s night without you my love,”

“Dark is the world’s night without you my love,”

“In one kiss, you'll know all I haven't said.”

“Our love was bornoutside the walls,in the wind,in the night,in the earth,and that's why the clay and the flower,the mud and the rootsknow your name.”

“You came to my lifewith what you were bringing,madeof light and bread and shadow I expected you,and Like this I need you,Like this I love you,and to those who want to hear tomorrowthat which I will not tell them, let them read it here,and let them back off today because it is earlyfor these arguments.”

“Fear envelops bones like new skin,envelops blood with night’s skin,the earth moves beneath the soles of the feet -it is not your hair but the terror in your head,like long hair made of vertical nails,and what you see are not shattered streets,but rather, within you, your own crushed walls,your frustrated infinity, again the city comescrashing down: in your silence, only water’s threatis heard, and in the waterdrowned horses gallop through your death.”

“It was at that agethat poetry came in search of me.”

“We the mortals touch the metals,the wind, the ocean shores, the stones,knowing they will go on, inert or burning,and I was discovering, naming all the these things:it was my destiny to love and say goodbye.”

“When I hit a block, regardless of what I am writing, what the subject matter is, or what's going on in the plot, I go back and I read Pablo Neruda's poetry. I don't actually speak Spanish, so I read it translation. But I always go back to Neruda. I don't know why, but it calms me, calms my brain.”

“And it was at that age ... Poetry arrived in search of me. I don't know, I don't know where it came from, from winter or a river. I don't know how or when, no they were not voices, they were not words, nor silence, but from a street I was summoned, from the branches of night, abruptly from the others, among violent fires or returning alone, there I was without a face and it touched me. ”