I’d like them to appreciate the power of the individual—and I don’t mean me; I mean the power each person has to make choices and be accountable for himself or herself. I’ve noticed that people are quick to put you in a category—if you come from this place then you are that thing. But I’ve never placed much value in statistics and trends, bar graphs and socioeconomic data that sum people up. I stop listening when somebody asks me if I know what my chances are. I don’t know that I believe in probability. People are inexplicable and incomprehensible, and nobody really knows what’s possible until they try. I prefer the exceptions to the rules. I like people who try, even when their chances are zero.

I’d like them to appreciate the power of the individual—and I don’t mean me; I mean the power each person has to make choices and be accountable for himself or herself. I’ve noticed that people are quick to put you in a category—if you come from this place then you are that thing. But I’ve never placed much value in statistics and trends, bar graphs and socioeconomic data that sum people up. I stop listening when somebody asks me if I know what my chances are. I don’t know that I believe in probability. People are inexplicable and incomprehensible, and nobody really knows what’s possible until they try. I prefer the exceptions to the rules. I like people who try, even when their chances are zero.

Kenny Porpora
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Now and then I see a balloon caught in the power lines, holding on, waving, flapping softly in the evening air, and I wonder if somebody in some faraway city tried to send it to heaven the way my mother and I used to do.

Kenny Porpora, The Autumn Balloon
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She asks to see my diploma, holds it in her hands and smiles, reads it out loud before handing it back to me, and I hold it tightly on my lap, this piece of paper, the proof they won't find me dead on a couch on my thirty-eighth birthday or in some basement bathtub with my eyes wide and lifeless or alone in the bed I slept in as a child with a Baggie of white powder under my mattress.

Kenny Porpora, The Autumn Balloon
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For a long time, I felt like I was destined to inherit a certain kind of life and so I wouldn’t let myself think of it for fear of being even cognitively associated with it. But writing about those same people and places changed that, and I could suddenly face them and understand them and forgive them. It was really then that I was able to understand that I wasn’t my past. Nobody is. One thing I have always loved about writing is how it can transform you and allow you to reinvent yourself. You could spend your whole life as a teacher, a doctor, a mother, a convict, whatever it may be; but the day you start writing, you start over. You’re a writer now.

Kenny Porpora, The Autumn Balloon
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We met in a school elevator, and he could tell from the way I spoke that we had some sadness in common.

Kenny Porpora, The Autumn Balloon
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To the members of my family who are no longer with us, I’d like to say I’m sorry. There is a quote by Stephen Dunn I’ve always loved; he says, “Our parents died at least twice, the second time when we forgot their stories.” I hope by remembering your stories, the good and the bad, you can forgive me for sharing parts of your lives you may have wished to have kept private.

Kenny Porpora, The Autumn Balloon
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I’d like them to appreciate the power of the individual—and I don’t mean me; I mean the power each person has to make choices and be accountable for himself or herself. I’ve noticed that people are quick to put you in a category—if you come from this place then you are that thing. But I’ve never placed much value in statistics and trends, bar graphs and socioeconomic data that sum people up. I stop listening when somebody asks me if I know what my chances are. I don’t know that I believe in probability. People are inexplicable and incomprehensible, and nobody really knows what’s possible until they try. I prefer the exceptions to the rules. I like people who try, even when their chances are zero.

Kenny Porpora, The Autumn Balloon
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