“If I could be who you wanted, all the time”

“If I could be who you wanted, all the time”

“You float like a feather," sings Radiohead, "In a beautiful world." I've listened several times to the Radiohead songs, because it was nice of Raymond to say he heard a bit of them in what I sang. I'm not sure I hear it myself, but I am pleased and touched. Sometimes that's what you need, just a quick casual word of knowledgeable encouragement. Radiohead reminds me a little of the songs in Garden State soundtrack. Now, that's a soundtrack. They were all songs that Zach Braff liked, so he put them in his movie. And there's that beautiful moment near the beginning where Natalie Portman hands him the headphones and she watches him listen to the song and she smiles her huge, innocent Natalie Portman smile.”

“If I could be who you wanted, all the time”

“Most people gaze neither into the past nor the future”

“I'd want it to be really special to both of us, but I'm a huge fan of 'At Last' as a wedding song. But what's also really cool is songs that no one else would have at their wedding, like an obscure Radiohead song.”

“sombre, anxious, melancholic, atmospheric, surreal, cold, lonely, cryptic, abstract, apathetic, male vocals, mysterious, dark, nocturnal, complex, mechanical, progressive, lush, disturbing'Descriptors' - Radiohead - Amnesiac”

“As a rule, we don't like to feel to sad or lonely or depressed. So why do we like music (or books or movies) that evoke in us those same negative emotions? Why do we choose to experience in art the very feelings we avoid in real life?Aristotle deals with a similar question in his analysis of tragedy. Tragedy, after all, is pretty gruesome. […] There's Sophocles's Oedipus, who blinds himself after learning that he has killed his father and slept with his mother. Why would anyone watch this stuff? Wouldn't it be sick to enjoy watching it? […] Tragedy's pleasure doesn't make us feel "good" in any straightforward sense. On the contrary, Aristotle says, the real goal of tragedy is to evoke pity and fear in the audience. Now, to speak of the pleasure of pity and fear is almost oxymoronic. But the point of bringing about these emotions is to achieve catharsis of them - a cleansing, a purification, a purging, or release. Catharsis is at the core of tragedy's appeal.”