“If I'm sincere today, what does it matter if I regret it tomorrow?”

“old photographs are very deceiving, they give us the illusion that we are alive in them, and it's not true, the person we are looking at no longer exists, and if that person could see us, he or she would not recognise him -- or herself in us, 'Who's that looking at me so sadly,' he or she would say.”

“Though I had come into the world on 16 November 1922, my official documents show that I was born two days later, on the 18th. It was thanks to this petty fraud that my family escaped from paying the fine for not having registered my birth at the proper legal time.”

“I think the novel is not so much a literary genre, but a literary space, like a sea that is filled by many rivers. The novel receives streams of science, philosophy, poetry and contains all of these; it's not simply telling a story.”

“I presume that nobody will deny the positive aspects of the North American cultural world. These are well known to all. But these aspects do not make one forget the disastrous effects of the industrial and commercial process of 'cultural lamination' that the USA is perpetrating on the planet.”

“I am traveling less in order to be able to write more. I select my travel destinations according to their degree of usefulness to my work.”

“In the end, I am quite normal. I don't have odd habits. I don't dramatize. Above all, I do not romanticize the act of writing. I don't talk about the anguish I suffer in creating. I do not have a fear of the blank page, writer's block, all those things that we hear about writers.”

“It is economic power that determines political power, and governments become the political functionaries of economic power.”

“Death is present every day in our lives. It's not that I take pleasure in the morbid fascination of it, but it is a fact of life.”

“The attitude of insolent haughtiness is characteristic of the relationships Americans form with what is alien to them, with others.”

“A human being is a being who is constantly 'under construction,' but also, in a parallel fashion, always in a state of constant destruction.”