If writers only dared to dare, a Suetonius or a Tacitus of the Novel could exist, for the Novel is essentially the history of manners, turned into a story and a play, as is History itself often enough. And there is no other difference than this: that the one, the Novel, cloaks its manners under the disguise of invented characters, while the other, History, provides names and addresses. Only, the Novel probes much deeper than history. It has an ideal, and History has none; it is limited by reality. The Novel also holds the stage much longer. ("A Woman's Vengeance")

If writers only dared to dare, a Suetonius or a Tacitus of the Novel could exist, for the Novel is essentially the history of manners, turned into a story and a play, as is History itself often enough. And there is no other difference than this: that the one, the Novel, cloaks its manners under the disguise of invented characters, while the other, History, provides names and addresses. Only, the Novel probes much deeper than history. It has an ideal, and History has none; it is limited by reality. The Novel also holds the stage much longer. ("A Woman's Vengeance")

Jules Barbey d'Aurevilly
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Passions are less mischievous than boredom for passions tend to diminish and boredom increase.

Jules Barbey d'Aurevilly
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In Paris, where raillery is so quick to throw emotion out the window, silence, in a roomful of clever people after a story, is the most flattering of all marks of success

Jules Barbey d'Aurevilly
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Hatred needs scorn. Scorn is hatred's nectar!

Jules Barbey d'Aurevilly, The Crimson Curtain
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Yet, whether to the glory or to the shame of human nature, in what we call pleasure (with an excess of scorn, perhaps) there are abysses as deep as those of love.

Jules Barbey d'Aurevilly, Les Diaboliques
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Dandies, who – as you know - scorn all emotions as being beneath them, and do not believe, like that simpleton Goethe, that astonishment can ever be a proper feeling for the human mind.

Jules Barbey d'Aurevilly, The Crimson Curtain
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Night, which in Autumn seems to fall from the sky so suddenly, chilled us...

Jules Barbey d'Aurevilly, The Crimson Curtain
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Extreme civilization robs crime of its frightful poetry, and prevents the writer from restoring it. That would be too dreadful, say those good souls who want everything to be prettified, even the horrible. In the name of philanthropy, imbecile criminologists reduce the punishment, and inept moralists the crime, and what is more they reduce the crime only in order to reduce the punishment. Yet the crimes of extreme civilization are undoubtedly more atrocious than those of extreme barbarism, by virtue of their refinement, of the corruption they imply and of their superior degree of intellectualism. ("A Woman's Vengeance")

Jules Barbey d'Aurevilly, Les Diaboliques
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For with dandies, a joke is the only way of making yourself respected.

Jules Barbey d'Aurevilly, The Crimson Curtain
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I did not want to be taken for a fool – the typical French reason for performing the worst of deeds without remorse.

Jules Barbey d'Aurevilly, The Crimson Curtain
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Fools – in other words most people – imagine that it would be a wonderful achievement to be able to recover our youth; but those who know life are aware how little it would profit us. ("A Woman's Vengeance")

Jules Barbey d'Aurevilly, Les Diaboliques
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