“If You Can Stand It, Play the Long Game . . .What I mean here is that you have to remain committed to the ultimate goal, which isn’t to win the immediate approval of the online world, or dazzle a workshop, but to improve your storytelling day by day.Finding the right balance of feedback—encouragement versus vigorous criticism—will help immeasurably.But your own commitment has to be to the process of improvement, not to the anticipated reward.If it’s any consolation, I’m still working on this final lesson.”

“If You Can Stand It, Play the Long Game . . .What I mean here is that you have to remain committed to the ultimate goal, which isn’t to win the immediate approval of the online world, or dazzle a workshop, but to improve your storytelling day by day.Finding the right balance of feedback—encouragement versus vigorous criticism—will help immeasurably.But your own commitment has to be to the process of improvement, not to the anticipated reward.If it’s any consolation, I’m still working on this final lesson.”

“In practice, the Internet functions more frequently as a hive of distraction, a simulated world through which most of us flit from one context to the next . . .”

“If You Can Stand It, Play the Long Game . . .What I mean here is that you have to remain committed to the ultimate goal, which isn’t to win the immediate approval of the online world, or dazzle a workshop, but to improve your storytelling day by day.Finding the right balance of feedback—encouragement versus vigorous criticism—will help immeasurably.But your own commitment has to be to the process of improvement, not to the anticipated reward.If it’s any consolation, I’m still working on this final lesson.”

“Narration, after all, isn’t just a literary function. It represents the human capacity to tell stories in such a manner that they yield meaning. Television replaced this concerted quest for meaning with a frantic pursuit of wonder.”

“To look at the work of your peers, and learn how to explain with kindness and precision, the nature of their mistakes is, in fact, how you learn to diagnose your own work.”

“But the real life of a writer resides in showing up at the keyboard every day, with the necessary patience and mercy, and making the best decisions you can on behalf of your people. It’s a slow process. It often feels hopeless, more like an affliction than an art form.Most of us will have to find our readers one by one, in other words, and against considerable resistance. If anything qualifies us as heroic, it’s that private perpetual struggle.Put down the magazine, soldier. Forget about the other guy. Remember who you are.”

“There is a point you reach, I mean, when you are just something bad that happened to someone else.”

“This, it would turn out, is the main thing we had in common: a susceptibility to the brassy escapism of myth.”

“Every now and then, I'll run into someone who claims not to like chocolate, and while we live in a country where everyone has the right to eat what they want, I want to say for the record that I don't trust these people, that I think something is wrong with them, and that they're probably - and this must be said - total duds in bed.”

“Misery loves another idiot with a jukebox where his soul should be.”

“This was one of those mid-thirties moments when you take a look at the stale, half-chewed bagel your life has become and kiss jealousy on its smokey mouth.”